Every Frame a Painting

For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel?

A very special thanks to David Poland for the use of DP/30 clips.
And a very special thanks to Aso for the use of his music.

For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/ever...

And you can follow us through
Taylor’s Instagram: https://instagram.com/taylo...
Taylor’s Twitter: https://twitter.com/glasses...
Tony’s Twitter: https://twitter.com/tonyszhou
Tony’s Facebook: https://www.facebook.com/ev...

Music:
Aso - Soul Traveling (Freddie Joachim Remix)
Harry James - I’ve Heard That Song Before
Harry James - You Made Me Love You
Shigeru Umebayashi - Yumeji's Theme
Aso - Jazz Intro
Nujabes - Perfect Circle (Instrumental)
George Benson - On Broadway (Live)

Interview Clips:
DP/30 Michael Kahn (2011) https://www.youtube.com/wat...
Michael Caine - Acting in Film (1987) https://www.youtube.com/wat...
DP/30 Thelma Schoonmaker (2013) https://www.youtube.com/wat...
DP/30 Thelma Schoonmaker (2011) https://www.youtube.com/wat...
BAFTA - Walter Murch on Editing (2013) https://www.youtube.com/wat...

Recommended Reading & Viewing:
On Film Editing by Edward Dmytryk http://amzn.com/dp/0240517385
Cut to the Chase by Sam O’Steen & Bobbie O’Steen http://amzn.com/dp/094118837X
In the Blink of an Eye by Walter Murch http://amzn.com/dp/1879505622
The Conversations with Walter Murch by Michael Ondaatje http://amzn.com/dp/0375709827

Help us caption & translate this video!

http://amara.org/v/IWcW/ Show less