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Takashi Nakamura Jazz Guitar lesson Part 2 Billie's Bounce (F Blues)

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Uploaded by on Jun 18, 2009

TN
JAZZ GUITAR SCHOOL
http://tn-works.net/
This is a official website of TAKASHI NAKAMURA
Guitarist and Jazz Ukulele player in ARROW JAZZ ORCHESTRA

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Music

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Standard YouTube License

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Uploader Comments (tnguitaruke)

  • I really enjoy your playing it's very groovy and smooth two thumbs way up!

  • thank you.

    i sometimes upload my videos.

    please visit agein.

    i also enjoyed your video!

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All Comments (12)

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  • @rasjavita Yes, of course. That is just theory, Parker went far beyond such things.

  • @novembrinewaltz90 As I said before F minor "fit the changes" but if you listen to Charlie Parker he doesn't play like that. His style is based on chord sustitution, to get Parker's sound you must think and go through the armony "chromatically", here is where the colors are otherwise the sound is good but nothing related to bebop or Charlie Parker, this is the most important aspect to think about. even if Parker played a blues progression he sound very different than the blues scale. I think

  • Asia's infrastructure on the educational system is really something we should examine. Such growth in arts and science over the last years all efforts seem to materialize in the best way.

    Great playing dude!

  • @rasjavita actually in the whole progression you can play only the F blues scale, you're not supposed to play the blues scales of each chord, you should keep on playing the F blues scale also on the other chords. And yes, of course you can mix this scale with the dominant scales and the arpeggios of each chord.

  • @danlovesnan This is a 12 bar blues with some common sustitutions (II -V, VI-II-V-I, etc). F7 is the I one chord, in terms of scales you can apply any dominant scale (Mixolidian, Lidian b7, etc) all of this work but in concept this is blues so you can play minor blues and mayor blues scales of each chord, of course try the arpeggio and mix all. Remember that swing rhythm feel is the most important thing to make it work, also try to connect chord changes with their guides tones, chromatic notes.

  • can anyone tell me why the tonality if "Fmajor" goes through all the song? I can't analyse this standart, I can't quite understand everything...can you tell me why I can play a Fmaj scale all through the song then? thank you!

  • Great Video!

  • nice solo and comping great job 

  • love it! good job

  • smokin'

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