SORRY ABOUT THE QUALITY...I WILL TRY TO FIX IT LATER! GO FULL SCREEN! This is a breakdown of the PLASZOW camp. This is a presentation researched and created from AIR-PHOTOS by John Ball. This is an introduction, for a deeper analysis and to see ACTUAL 1944 AIR PHOTO'S that confirm these drawings, please visit http://www.air-photo.com/. Also see John Ball's excellent book AIR PHOTO EVIDENCE!
Feature films such as Holocaust, Shoah and Schindler's List are in a completely different category. They naturally have no evidential value whatsoever, but their psychological impact on the masses is immense and powerful. Even though the establishment historians' assessment of the movie Holocaust - namely, that it is factually untenable - applies equally to the other movies as well, they are nevertheless gladly received for the welcome effect they have on "public education and opinion steering"! One example shall suffice to demonstrate the historically unacceptable nature of such movies. Illustration 19 shows a scene from Schindler's List where Camp Commandant Göth, standing on the balcony of his house, takes random potshots at the inmates of the Plaszow Camp. Air photos from that time, however, reveal that the Commandant's house was located at the foot of a hill, while the camp itself was on top of that hill (illustration 21). The scene shown in the movie, which would have required a configuration of house and camp such as shown in illustration 20, was thus impossible, if only for geographical reasons. And this is certainly not Steven Spielberg's sole forgery.
Schindler's List, which is based on a novel going back to historical events, was deliberately filmed in black-and-white and with unsteady camera work in order to convey to the audience the false impression that the film is a documentary; contributors to the movie have freely admitted this.This clearly shows the intentions of the film-makers and of those who take school classes and even entire schools to see this movie, and not only in Germany and Austria. What is particularly perfidious about this film is that whenever German soldiers or SS-men give orders, yell and scream and engage in any kind of violence, this is not shown in English or in whichever other language the film is dubbed, but in German. In this way the entire world is made to feel that German is the language of cruel subhumans. And the German viewing public is the only one not to notice this, because in Germany, Schindler's List is dubbed entirely in German. In this way, underhanded psychological tricks incite the peoples of the world against the Germans, their language and their culture, and the Germans themselves never even notice what is going on.
Besides of this, Spielberg is hiding the fact that the commander from Plaszow concentration camp was prosecuted by the SS:
"Individual criminal acts - in these cases having broad implications - included: the assumption of a license to kill by commandants and subordinates concealed through falsification of medical death certificates.
Arbitrary conduct, chicanery, unlawful corporal punishments, acts of brutality and sadism, liquidation of no-longer-convenient accomplices, theft and black-market profiteering.
All of these offenses were committed both alone by prisoners as well as by personnel of the SS, most however in conspiracy between SS personnel with Kapos (Jewish concentration camp guards).
The intervention of SS jurisdiction in the concentration camps commenced with the initiation of my investigations in July 1943 and lasted until the conclusion of the war. It could not have started sooner, because there were no suspicions in this regard.
Arrested were the commandants of Buchenwald, Lublin, Warschau, Herzogenbosch, Krakau-Plaszow."
Spielberg certainly wished to conceal these investigations and punishment of perpetrators from his gullible movie audience since he was and is not interested in an historically accurate film, but rather in molding public opinion to accept the establishment Holocaust ideology. Audiences may be gullible and dumb, but Spielberg is a deceiver and denier of historical reality. Affidavit SS-65 by SS Judge Konrad Morgen, IMT, vol. 42, p. 556. -Udo Walendy (taken from Dissecting the Holocaust p258-26)
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I don't think it's the first time the truth was stretched to make a movie,look at Bridge on the River Kwai
oldtilter 11 months ago