Marc-Antoine Charpentier: Medée (16)

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Uploaded by on Mar 6, 2010

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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Dear Youtube User

If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the
video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.

It is in fact impossible for me to know if some of my videos constitute copyright infringement because all the material I uploaded is the result of TV recording and passion for the music.

I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.

Thanks for your understanding
CAROSAXONE
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Marc-Antoine Charpentier
MEDEE

Stéphanie d'Oustrac, Médée
François-Nicolas Geslot, Jason
Caroline Mutel, Nerrine
Renaud Delaigue, Créon

Le Concert Spirituel
Dir.: Hervé Niquet

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Music

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License:

Standard YouTube License

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All Comments (5)

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  • @SPACETIMEBEAUTY its exactly that, I prefer Cherubini's style of composition I understand the difference between both styles and there is really no comparison since both styles are different, but, If I need to choose between a light melody of the baroque period and an opulent and imposing composition of the classical (almost romantic) period I choose classical

  • @darodriguezdiaz Do you mean to say that just because both operas (Trajedie-lyric, and Belle-canto) have the same title you would compare between them, ranking one over the other. Or is it that over all you prefere the latter style of music to that of the (French) baroque period???

  • It is a nice composition overall but the Charpentier version is not as epic nor as awe inspiring as the Cherubini version. A very nice interpretation none the less.

  • Bravo Bravo to Mr. Niquet. excellent production. Briliant cast, most notablly to the fabulous and very poignat Mlle. d'Oustrac.

    I wish, however, that the prologue celebrating Louis XIV glory had not been omitted.

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