Wynton Marsalis - Hindemith Trumpet Sonata

As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the N.O. symphony brass quintet, the N.O. community concert band, N.O. youth orchestra, N.O. symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had been largely abandoned. He has invested his creative energy and status in being an advocate for a relatively small era in the history of jazz. His advocacy in this area has garnered much controversy for his "classicist" view of jazz history considering post-1965 avant-garde playing to be outside of jazz and 1970s fusion to be barren. This viewpoint was promoted strongly in Ken Burns' documentary Jazz; a documentary Wynton was artistic director and co-producer. However despite his controversial views few disagree that his musical abilities in both jazz and classical music are high impressive and worthy of the high praise it often receives.

Category:

Music

Tags:

• Wynton
• Learson
• Marsalis
• Classical
• Trumpet
• Hindemith
• Concerto

[Maltrumpet]

OH, and by the way. Who are all you fing hacks on here criticizing the way WYNTON FING MARSALIS plays!? Sorry your life didn't work out the way you planned. J F-ing C! Your all like movie critics. It's Beautiful. (Mr. Marsalis' sound being the antecedent to the general pronoun it used in the contraction it's) What do you got? If your education made you an overly critical A hole you got cheated. "Education is a crap filter". Take in all the info you can find and decide what matters to you. 123456

[Peter909Reilich]

I couldn't give a crap about Marsalis. I came here for the Hindemith. Excellent performance by both instrumentalists, though.

[rdn91]

@TheAngeltoDemon i agree

[thaifighter7693]

so i saw him play this live. it was disgustingly loud. I know this is an aggresive piece but he played it too loud, plus his monett makes him even louder. Wynton is a great trumpeter, but certainly not my favorite. I have to say though on this recording it sounds beautiful. Live though....No....sorry wynton

[TrillliumBrass]

Hindemith would have been honored.

Elliott Oppenheim, TrillliumBrass

[TheAngeltoDemon]

I wish he didn't use the monette here though. I like the monette for the jazz playing, just my opinion.

[HaightNLife]

@unttrmptplyr I listened to it at the University of Miami's Music Library many years ago. It took some searching, but it can be found on amazon by searching for "Hindemith Sonatas for Brass and Piano by Glenn Gould" on Bing or Google. It's the first result.

[unttrmptplyr]

@HaightNLife Where did you find Gil Johnson performing this?

[MoteyJoe]

What a wild style of playing! Loads of respect to him!

[theschwarz11]

Wynton's tone is phenomenal, and to say that it sounds too jazzy is just false. He has a big enormous sound which you want in classical music; not like a lead trumpet in a big band, but a full sound. When he grows to ff and uses a ton of wide vibrato, he is playing musically and stylistically correct. Hindemith's music is big, bold and dark, so playing with the tone he does is totally appropriate.

[theschwarz11]

Wynton's tone is phenomenal, and to say that it sounds too jazzy is just false. He has a big enormous sound which you want in classical music; not like a lead trumpet in a big band, but a full sound. When he grows to ff and uses a ton of wide vibrato, he is playing musically and stylistically correct. Hindemith's music is big, bold and dark, so playing with the tone he does is totally appropriate.