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CLASSICAL OPERA TECNIQUES - Voice training for tenor and singers, high notes tips

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Uploaded by on Apr 26, 2009

The Maestro Cananà of the Italian Association "IL BEL CANTO" explaining some classic opera tecniques regarding voice training and singing tips for HIGH NOTES during an opera.
We upload this video to the international Opera "Appassionati" and tenor students working to improve their singing capabilities and Bel Canto knowledgement

Vocal training techniques (high notes) to express better singing high notes for professional tenors of the aria and romanza of the operas from ITALIAN BEL CANTO. The Maestro Mario Cananà explain to the tenor (THE YOUNG TENOR's student: FABIO DE BENEDETTO - after 6 months lessons with the Maestro Cananà) how important it is to maintain a continuous training of his voice to have a NATURAL SI, SI bemol and the DO to sing arias and romanzas as vocal professional training

ITALIAN LYRICAL MUSIC LESSONS for Tenors (tenori) Music vocal and voice exercises as training of music lessons in Italy. The vocal Lessons for Tenor and Soprano for lyrical singing and voice techniques of the Italian Bel Canto by The MAESTRO MARIO CANANA "The Italian Tenor Spinto" (music culture and voice lessons, in Italy) for lyrical VOICE, MELODRAMATIC opera and lyrical culture. The Maestro Canana explain, in this class, to the two tenors how important it's to execute voice and vocal singing exercises for sopranos and tenors to reinforced voice and lyrical vocal studies. http://www.ilbelcanto.org/

The Maestro Canana and the "Associazione Il Bel Canto in Italy" offers lessons for beginners, Tenors, Baritono, Sopranos and Master Class and international Master Lyrical singing and Melodramatic culture and art conference LOOKING FOR PRIVATE LESSONS OR A CONFERENCE BY MAESTRO CANANA ? call in Italy: +39- 333- 6371 644 at
http://www.italianbusinessguide.com/

THE ITALIAN OPERA - IL BEL CANTO
The bel canto opera movement flourished in the early 19th century and is exemplified by the operas of Rossini, Bellini, Donizetti, Pacini, Mercadante and many others. Literally "beautiful singing", bel canto opera derives from the Italian stylistic singing school of the same name. Bel canto lines are typically florid and intricate, requiring supreme agility and pitch control. The bel canto era style was rapidly popularized by Giuseppe Verdi, beginning with his biblical opera Nabucco. Verdi's operas resonated with the growing spirit of Italian nationalism in the post-Napoleonic era, and he quickly became an icon of the patriotic movement (although his own politics were perhaps not quite so radical). In the early 1850s, Verdi produced his three most popular operas: Rigoletto, Il trovatore and La traviata. But he continued to develop his style, composing perhaps the greatest French Grand opera, Don Carlos, and ending his career with two Shakespeare-inspired works, Otello and Falstaff, which reveal how far Italian opera had grown in sophistication since the early 19th century. After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's Cavalleria Rusticana and Ruggiero Leoncavallo's Pagliacci that came virtually to dominate the world's opera stages with such popular works as Giacomo Puccini's La Boheme, Tosca, and Madama Butterfly. Later Italian composers, such as Berio and Nono, have experimented with modernism

IL BEL CANTO LIRICO DI ITALIA L'Associazione "Il Bel Canto" programma le proprie attività concertistiche in Italia e nel mondo. Offriamo un ricco repertorio di Arie con i nostri tenori, soprani, baritoni e coro, opere liriche come Aida, Il Trovatore, Nabucco, Traviata, Ernani di Giuseppe Verdi, Turandot, La Bohème, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia e Mosè di Rossini, La Carmen di Bizet, ed altre opere liriche che definiscono l'arte e cultura lirica Melodrammatica in Italia e nel mondo sotto la direzione del MAESTRO CONCERTATORE MARIO CANANA

EL BEL CANTO LIRICO DE ITALIA La asociacion cultural "Il Bel Canto" programa sus actividades y conciertos en Italia y el mundo. Ofrece un rico repertorio de Arias con nuestros tenores, tenor, soprano, baritono e coro. Operas liricas como Aida, Il Trovatore, Nabucco, Traviata, Ernani de Giuseppe Verdi, Turandot, La Bohème, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia y Mosè de Rossini, La Carmen di Bizet y otras operas liricas que definen el arte y cultura lirica Melodramatica en Italia y el mundo bajo la direccion del Maestro de musica lirica y director de orquesta MARIO CANANA

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Uploader Comments (235binelli)

  • To the Opera lovers: thank you very much for your comments THE YOUNG TENOR "Fabio De Benedetto" is improving every day and next week we will pubblish more videos... He is doing very well and incredible "future" talent... He's still a young Student

  • Hello Dear Maestro. I wonder if it is possible to supply undertitles for your lessons. I think they contain a treasurevault of good advise and unfortunatly I don't speak Italian :s

  • Dear Elrahion: Thanks for your comment, we will define "undertitles" in English asap, and new lessons next days

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  • thanks

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  • i would love to have some subs here :( i want to understand what the theacher is teaching....

  • wow, wish this could be me

  • Why was he covered high notes sounds strain at 1.46?

  • Oh my how I wish I had the power behind my notes as you do, dear Maestro you truly have a gift, as do your students

  • This is a good voice, but there is very little subtlety or dynamics used in these lessons which is a little concerning. I hope he has a great career

  • BRAVO !!!

  • It's nice to see someone learning it with the viewer as well. Great content.

  • Don't you think that because the maestro is a spinto (heavyweight) tenor, his students also are adding a lot of weight?

  • I know i already asked a question in your other video, but isn't bel canto about singing lyrically and not heavily? I don't see much of that here.

  • I am a bass baritone....do you have any baritone lessons?

    thanks

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