The Angry Filmmaker talks Sound Design and ADR
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Uploaded by theangryfilmmaker on Jan 21, 2010
Kelley Baker, The Angry Filmmaker, talks about Sound Design and why you don't want to do ADR, Kelley was the Sound Designer on 6 of Gus Van Sant's films including Good Will Hunting, Finding Forrester, and My Own Private Idaho as well as Todd Haynes film, Far From Heaven. He has written & directed 3 features, Birddog, The Gas Cafe & Kicking Bird as well as 8 short films that have been screened all over the world. He tours the country twice a year teaching workshops and screening his films. His workshops and his book are available at angryfilmmaker.com
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awesome advice.
MaghoxFr 10 months ago
From what I have seen in movies, I am not too bothered by ADR if it was at least done directly on loaction. What bothers me is if the ADR was recorded in a studio and the properties of the audio weren't matched to the scene location. Like if an actor was running for his life from a robotic rottweiler in the mountains, the suspense would be ruined if his screams sound like they were recorded in a vocal booth.
bmiranda2645 1 year ago
The Angry Filmmaker is speaking bibles of truth. Viewers will forgive a so-so picture or a soft focus on a few scenes, but bad audio they do not forgive. If you're audio is terrible no matter how cool visually the scene is most people tune out.
sidkaliflicks 2 years ago