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Clementi Sonata B flat Op 24 Allegro con Brio Horowitz Rec1950

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Uploaded by on Mar 3, 2009

Horowitz was a great exponent of the Clementi Sonatas and there is an amusing story (Harvey Sachs, Rubinstein , A Life page 353) peripherally regarding them. A few days before a certain concert was to be performed on February 3, 1975, Daniel Barenboim, (pianist and at that time, conductor of the New York Philharmonic) received a message from Horowitz that he needed to see him. Barenboim had no idea as to what Horowitz wanted. Barenboim arrived at the appointed time and was received by a very "formal " Horowitz. (Horowitz opened the door), They sat down and talked about many things including Horowitz' Berlin days.. Barenboim recalled, He told a lot of stories—very one sided, Im sure, but it was still a lot of fun. Then Horowitz said, Tell me, you know Clementi Sonatas? Not really. Barenboim replied.. Horowitz then played several of the sonatas pointing out various fascinating figurations. None the less, Barenboim still wondered why Horowitz had requested the meeting. Barenboim realized that several hours had passed, and since he had to attend a rehearsal the next day, he informed Horowitz that as much as he had enjoyed the evening, perhaps he should take his leave. Horowitz replied, No, no, no. Stay. We're having a nice time and Wanda is not here: shes playing cards. (Then) in a sort of forced, intimate tone of voice, he said, Tell me, I read in newspapers that you are conducting with Rubinstein, with Phyilharnonyic. What he plays? I said, he's playing Beethoven G Major and Brahms D Minor.
Oh, in one evening? He's an old man now, no? He doesnt forget?
I said no
But wrong notes he plays, no?
I said Look, I played with him in London, the Emperor Concerto, a few months ago, and it was note perfect. (I lied!).
He said, How much strength? You know, an old man, he has strength? These are big pieces!
I said Yes, you can't cover him with an orchestra.
He said, This is very strange: an old man; no memory lapse, no wrong notes, lots of strength. (Long pause) But a little bit dry, no?

Barenboim concluded the story saying, "It had all been for this. Not much later, I had lunch with Rubinstein and told him the story in great detail. He was very amused." ..

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Top Comments

  • must... kill... coughing.... audience....

  • Hmm this is a grade 8 piece that I'm currently learning.... just started

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  • @1648Junghyomin Me three! XD

  • @jamduke Me too

  • Mozart wrote his Paris Symphony in 1778, three years before Clementi wrote his Sonata in B flat, Opus 24. Listen to the theme in Mozart's symphony about 50-60 seconds into the first movement. There's a striking similarity to the main theme in Clementi's piece.

  • oh

    on dirait du mozart !!

    impréssionant

  • @mphello Kuhlau is my no. 1

  • I prefer Franz Joseph Haydn to Mozart. And Muzio Clementi is just as good as Mozart (at least piano-music-wise).

    Of course, Beethoven remains my #1 and Tchaikovsky my #2.

  • @matematicaufes

    Mozart's sonatas are far more original and new and expansive of the diatonic material. Clementi plays with scales and the same endlessly repeating and colloquial twists. His vision is far-seeing but his material and his ideas let him down. Today, he's fascinating, but he never broke a lot of new ground. Later composers didn't draw more than energy from Clementi.

  • ...that is: he was the "loved" of the kings from his time. I can say with totally certain that clement is soooo many more musical rich than mozart, so that Mozart make various copies of clementi´s theme, like this.

  • @brandonkerry I have a friend named Adriano that love Mozart above all the others. He always says that Mozart was the great and etc etc etc... But, what the classical period lovers do not see is that there is so many other that can be on the same level of Mozart, but are less known. Clementi was a great master, and his sonatas are really more interesting and well-composed and really more dificult that mozart ones. But....mozart lies in the time like a big one, by a simple and general reason...

  • @matematicaufes The theme is not even close to identical, but yes, Mozart took part of this pedestrian theme and turned it into something for the ages.

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