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I still can't get over how bad an actress Laura Harring is. She was shite in Sunset Beach and never got any better; I always wonder what Lynch saw in her. He's usually so up with female actresses. My fave lynch actress is Arquette. I'd love to see him work with her again. Now will someone answer the bloody, perpetual ringing phone in Lynch's films. I'm sure it's just the taxi company to say the taxis outside.
I have a theory. And this is what I thought when I first started watching these things. The dialog is like a literary collage similar in ways to the work of William S. Burroughs. The dialog was written in order and then cut up and jumbled around. If you pay attention you notice that some of the things they say are in response to questions asked earlier OR later.
...Some people read MD as a story about a woman, wracked with guilt over the murder of her lesbian lover, who has a bad dream then wakes up and offs herself. Neither of those readings do it for me. Surely there is a psychological element to those films, but IMO they are interrelated by the same (or very similar) supernatural subtext.
E.g. IMO Betty in MD is Firewalking (unsuccessfully) and has been for decades.
Unlike a lot, if not most, David Lynch fans, I don't care what he intends his films to mean. If he wanted there to be a canonical interpretation for his films, he would give one. Instead, he has gone out of his way not to. I'm always willing to hear someone else's take, but It's not likely to change the way that I read the films.
E.g., some people favor a completely mundane reading of Twin Peaks, in which there is no BOB... just a girl whose father raped her experiencing a psychotic break.
Lynch has often said that many things in his movies are ideas he has got from dreams/meditations and that even he does not know what they mean. Sometimes though he has said that there is a specific idea/thought/feeling that he is trying to project but that rarely has he heard of someone seeing the same "vision" as him. I think when dealing with a David Lynch film you have to "see" it in your own way and take from it whatever ideas it conjures up in your psyche.
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Suzie witnessed Jack having an incident on a harbour when she was 7 years old
They seem to be worried about Jack not coming home
Im suddenly hearing screaming from the sitcom laughter
What does all this mean? I don't have a clue.
I'm wondering that about all their lines.
Now will someone answer the bloody, perpetual ringing phone in Lynch's films. I'm sure it's just the taxi company to say the taxis outside.
E.g. IMO Betty in MD is Firewalking (unsuccessfully) and has been for decades.
E.g., some people favor a completely mundane reading of Twin Peaks, in which there is no BOB... just a girl whose father raped her experiencing a psychotic break.
Sometimes though he has said that there is a specific idea/thought/feeling that he is trying to project but that rarely has he heard of someone seeing the same "vision" as him.
I think when dealing with a David Lynch film you have to "see" it in your own way and take from it whatever ideas it conjures up in your psyche.
i.e. Whatever it means to you