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Pe. Soler - Fandango in D minor, S.146

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Uploaded by on Dec 17, 2010

Rafael Puyana, harpsichord

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Music

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Uploader Comments (GavriloPresto)

  • Pupil of Wanda Landowska, he is a top artist but was not keen to sit voor recordings.

    Does somebody know where I can find some information about the Goja picture? (first one).

  • @Teletube13

    the name of the paint is ''niños con mastines"

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All Comments (11)

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  • inoubliable interprétation superbe !

  • Nel 1968 Puyana suonava molto meglio, ma l'Hass del 1990 è migliore del Pleyel.

  • Prefiero la versión del 68

  • c'est superbe

  • For me this is the definitive version. I like the reprise of the introduction -- most others don't do that. It is like a time warp, a better feeling than the abrupt ending most others do.

    The 1968 recording was very different -- interestingly different voicing, no reprise. On the jacket, Puyana said that just because music is old, it need not wear a wig. In this 1990 recording, he put the wig back on it, and gave it this richer sound.

  • My favorite performance of the Fandango too although Ross did a fantastic job too.

    Absolute anchor for all music Great performer, great instrument, great way of recording the sound.Sometimes everything fall in place and it definitely is with this performance

  • Rafael Puyana was born in 1931 Bogotà (Columbia). He studied piano at the Boston Conservatoire and was the last pupil of the french-polish Wanda Landowska, the pioneer of the harpschord playing renew in the modern time. Now he lives in Paris.

    He recorded twice this fandango by Padre Antonio Soler.

    1°) Vinyl disc Philips (5838 433), 1968 on a modern harpsichord Pleyel (I purchased this one).

    2°) CD l'Oiseau Lyre (417 341-2), 1990 on a historical harpsichord by H-A Hass (1740)., posted here.

  • Je vous remercie bien, Monsieur! Huzzah! My fave rendition of Soler's immortal Fandango. Vive Puyana!

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