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Please inform me. It is hard to believe that Rachmaninoff would take the advice on anyone to make cuts rather than depend on his own inate musical sense. I only know one version of this work, but it is possible that some cuts are not noticable.
I wish I could give you specific examples of people who would pressure him that way; however, there's much I don't know. What I read years ago in various sources still stands (how one wishes the quotations were remembered for later); furthermore, the very nature of the cuts (compare this version with either Priwin or Ashkenazy! - or what's posted here - and check with the score!) points in that direction. [Those cuts are quite noticeable once you know the full uncut 'Urtext'!!]
You're putting words in my mouth - I never implied that Isle of the Dead should be downgraded to a simple piece of background music.
Tell me, why do you think that Rachmaninoff's art was inherently better than other art? Do you think Rachmaninoff would agree with you that his music is too good to be even associated with Harry Potter? Well?
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I only know one version of this work, but it is possible that some cuts are not noticable.
In response to Paradise737.
Tell me, why do you think that Rachmaninoff's art was inherently better than other art? Do you think Rachmaninoff would agree with you that his music is too good to be even associated with Harry Potter? Well?