Uploaded by SurfaceBlowhole on Dec 28, 2008
VENICE 23/11/23. LA BIENNALE DI VENEZIA the last few hours of Aaron Betskys porous Metropolis: We entered this magic jungle at Arsenale and after a few steps we were sure, that we should take all the light, all that colours, forms and fusions for our Blakey dance of The Tyger. For this kind of celebration we just needed a camera. By chance Mr. Johannes Straub was with us. Without any plan, only with natural light and beauty we started to start.
Tyger! Tyger! burning bright
In the forest of the night,
What immortal hand or eye
Could frame thy fearful symmetry? (...)
The task was, to interact spontanously with the objects, projections and ideas of the exhibition. All these bodies, from viewer to dancer, from imaginary building to the space of exhibition (...), reference a single system from various vantage points. (Nigel Coates: Hypnerotosphere At home in the modern world)
We performed the scenographies and were performed by the ideas of Droog and Kesselskramer, Guallart Architects, Greg Lynn Form, Nicola Basic, Penezic & Rogina Architects, the artists of Uneternal City like Mad Office and all the other architects and artists we passed by in this clip without mention them in this text (please tell us!).
We go along with Betsky when he says: The architecture that interests me most is that wich is not apparently critical or even real, but that has the ability to transform ones perception of ones world, and to let one make that world be ones own.
Song: The Tyger - music: Eternit ( HYPERLINK "http://www.myspace.com/eternit0" www.myspace.com/eternit0) lyrics: William Blake
Performer/Vocals: Claudia Pescatore ( HYPERLINK "http://www.surfaceblowhole.net" www.surfaceblowhole.net)
Camera: Johannes Straub (www.dasintegral.eu)
Director Poodle/Assemblage: Martin Sambauer (www.dasintegral.eu)
Handbags: Vittoria Spadafora (vittoria.s@hotmail.it)
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