Me conducting Beethoven's ouverture on Coriolanus, Op. 62

you accetuate your beats just as much in the melodic passages as in the rythmic passages.. which in the long run does not teach the orchestra to play together, nor show them the direction of the music they are playing.
plus yours hands are always turned down.
otherwise it was certainly not bad.

that bassoonist at 1:50-2:10 should be castrated. that really hurt my ears.

Try to mirror your hands a lot less and give different types of beats to show the different types of articulations. And yes, do this in two, that way the music has a better sense of forward motion.

nn è un pò sotto tempo??nn ci dovrebbe essere il bisogno di battere in 4...(forse per esigenze orchestrali..)maybe bisognerebbe esaltare alcune dinamiche..

but you go into 2 in a couple of places, and the quavers are no worse off for it. If you feel it in 2, why not do it in two? Student orchestra or not, the misconception surely is that bigger and more beats means it's clearer which it certainly does not. Good sound for students though

why on earth are you in 4?