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basswave - oldboy / the last waltz (dubstep edit)

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Uploaded by on Aug 12, 2010

tribute to one of my favorite movies. not for commercial use.

original scenes taken from "Oldboy"

"the last waltz" sample taken from Oldboy O.S.T composed by Jo Yeong-wook

music-creation und video-edit: basswave

enjoy this dubstep and pls subscribe & rate

Category:

Music

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License:

Standard YouTube License

  • likes, 34 dislikes

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Uploader Comments (basswaveLE)

  • Also ich hab ihn gerade das erste mal gesehen. Heilige Scheiße. ich werd Last Waltz nie mehr aus'm schädel kriegen.

  • @Pherox83 ist ein toller film na =)

Top Comments

  • amazing track and great movie ofc!!! =)

  • beautiful remix, I love it... I just have the fuckin chileeaax trip ever on this 1

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All Comments (38)

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  • Not bad *-*

  • You, my friend, whoever made this dubstep remix, you have fucked the track itself.. :(

  • nice try, but the original song is perfect in so many ways.

  • doesnt work at all. the music is in triplet time and your drums are in duplet time. the drawback with computers, any fuckin idiot can make 'music'

  • thanks for making my ears puke

  • Why do people ruin shit w/ dubstep remixes >|

  • in my opinion, this song should not have been tampered with

  • 4/4?

  • Sorry, I just won't stop commenting on this! What I think is most troublesome to me about this is the sample itself. I think if you could somehow find an orchestration of this with selectively placed accents, it would mesh better with the 4/4 time. I'm totally uncertain of this, however. Anyway, I really like the concept and enjoy the track more than I originally thought I did. :)

  • @IwantShawn Sorry, I'm "on fire" this morning (as well as lacking a social life... -_- ) . Anyway, I would not say that a dubstep interpretation of any piece necessarily removes a song's emotional impact. Depending on how the remix is done, the reinterpretation can either diminish, redirect, or merely "re-texture" the mood of a sample. For me at least, the ideal dubstep remix changes the environment surrounding the sample while not dramatically redirecting its emotional impact. They do exist.

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