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Jazz Guitar Soloing - Part One

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Uploaded by on Jan 19, 2010

http://www.creativeguitarstudio.com/

This video guitar lesson series covers the art of targeting chord tones in the jazz style. For a tab chart and single pass MP3 jam track, follow the link below to the Creative Guitar Studio website to read the lesson notes and grab your FREE downloads:
http://www.creativeguitarstudio.com/lessons/improvisation/jazz_guitar_soloing...

Andrew's Official Q & A Guitar Blog Website:
http://www.andrewwasson.com

Follow Andrew on Blogspot:
http://creativeguitarstudio.blogspot.com/

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http://www.myspace.com/andrewwasson

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  • ANOTHER CLASS LESSON.

  • Thank Andrew, excellent lesson.

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All Comments (24)

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  • @mattaroggen well, then it's not Dmaj7, then it's Dmaj13

  • @ibanezbloke thats not true. usually the scale is decided by the quality of the chord its being played over, for example you would usually play the dorian scale of a m7 chord. although in this video he is playing certain riffs with arpeggios of the chord

  • how is the G note on the b string included if that note isnt in the Dmaj7 arpeggio?

  • @spagbog1q2w or fretboad

  • @vwchad957 the neck?

  • @MatthewShotAlex No scales, arpeggios. If you want to play Jazz, then start forgetting about playing scales.

  • what is the thing thats attatched to the body of your guitar

  • What scale is he using?

  • holy shit, i could actually understand the theory stuff you were saying!!!!!!!!!!!!!!!!

  • @singalls first, he is not doing I IV II V, bu I VI II V, B-7 is the VI grade of the scale of D, and to answer the other question why the quality of the chords, why E-7 instead of just E, well i demand for you to play that, play the same progression but all teh chords would just be a major triad, that means, you would play D, B, E, A all major chords, and then try to come to the answer by yourself, if you dont, is very simple, CUZ THATS THE CHORDS THAT YOU GET IN THAT PARTICULAR TONE.

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