Opto-isolator (2007: Golan Levin with Greg Baltus) inverts the condition of spectatorship by exploring the questions: "What if artworks could know how we were looking at them? And, given this knowl...
Opto-isolator (2007: Golan Levin with Greg Baltus) inverts the condition of spectatorship by exploring the questions: "What if artworks could know how we were looking at them? And, given this knowledge, how might they respond to us?" The sculpture presents a solitary mechatronic blinking eye, at human scale, which responds to the gaze of visitors with a variety of psychosocial eye-contact behaviors that are at once familiar and unnerving. Among other forms of feedback, Opto-isolator looks its viewer directly in the eye; intently studies its viewer's face; looks away coyly if it is stared at for too long; and blinks precisely one second after its viewer blinks. Available through bitforms gallery, NYC.
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That's exactly what I was thinking. It's also derivative of Ed Ihnatowicz' "Senster" (1970).
Hasn't this whole "inversion of the viewer/viewed" thing been pretty thoroughly explored already over the past 40 years? This particular incarnation seems gracelessly heavy-handed and literal to me.
As Santayana might've said: "Those who cannot learn from art history are doomed to repeat it".
I was thinking this installation was under the Golan's quality standard. But after having seen this clip I chanced my opinion: awesome engaging: bravo!
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Bill Spinhoven : "I/Eye",1993.
but 2007 version
Well done
That's exactly what I was thinking. It's also derivative of Ed Ihnatowicz' "Senster" (1970).
Hasn't this whole "inversion of the viewer/viewed" thing been pretty thoroughly explored already over the past 40 years? This particular incarnation seems gracelessly heavy-handed and literal to me.
As Santayana might've said: "Those who cannot learn from art history are doomed to repeat it".