Luca Pisaroni (Figaro) sings "Aprite un po' gli occhi"
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@serRudyll I realy agreed.
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This could be an endless discussion, you can site Vennard's study, William Shakespeare's study of voice, there are proponents of Douglas Stanley, who think he had all the answers. It really doesn't matter, whatever thrills you, go with it, I really don't care, it's just your opinion, that should be enough for you!
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What science? Listen to Lawrence Tibbett, John Charles Thomas, Thomas L. Thomas! That my dear friend is, Nasal or Sinus resonance! I know you like this singer but that doesn't change basic technique. Unless you can control the flow of breath, you cannot open the sinus cavities! The pallet raises and closes the passage to the nose, causing throat resonance and fatigue of the vocal folds! In time, if this is not corrected, nodes on the cords!
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@jimh23 You know there is no such thing as sinus resonance, right? Not my opinion, scientific fact. Look it up.
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@jimh23 You know there is no such thing as sinus resonance, right? Not my opinion, scientific fact. Look it up.
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He doesn't really sound like a bass-baritone to me.
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I heard him this year at the San Francisco Opera....he is amazing.
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@tiernan87 um, try to read the rest of the conversation before being a wise mouth ;-)
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@serRudyll um, those would be the FRENCH HORNS....not trumpets....
superbe!
mauriceravel75 3 years ago 8
Pisaroni has got a very good voice and is very good-looking; I think there are good things ahead for him.
I don't think the lowness of the role is the problem; in the other production, he's down a quarter-step but does much better!
If all the tempos in the production are like this one, one can't really blame him; conductors thing that _they_ are the musical directors and the thing should go according to their wishes, but that sometimes throws off the entire tone of the opera.
BethDiane 2 years ago 3