Gedda's high D's (Vieni fra queste braccia) with Sutherland
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@muchogustavo1: have we forgotten Giacomo Lauri-Volpi?
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love those high D's. And live, not a recording. Amazing.
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Gedda was some sort of bizarre combination of leggiero tenor and lirico spinto (not unlike a male version of sutherland now that I think about it)
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Gedda's high Ds were amazing......Full voice no head tone....He was Sutherland's first great partner...Often over shadowed by Pav.....This performance I believe was in Philadelphia and the opera house is still rocking.....
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@tklogan111809 well, she certainly didn't have any problems making herself heard with neither of them..
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@08071939 bjoerling??? NO, THE ONLY WHO CAN MATCH WITH GEDDA IN HIGH C'S AND HIGH D IS THE GREAT MARIO FILIPPESCHI!!!!
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Please, don't forget JUSSI BJOERLING!
prinz von hacking
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You want a guy with a better High D than Gedda? That would be Helge Roswange. He was known at the "Knight of the High D". For years Roswange's recording of the Postillion was definitive. In the sixties Gedda also recorded it. You decide.
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check out the recently uploaded rendition by Bogdan Mihai & Angela Gheorghiu (Tokyo, Japan, October, 2011)!
Wow, the only tenor I've ever heard, who in the high register, wasn't blown into the orchestra pit by Sutherland. NOW THAT'S AN ACCOMPLISHMENT!!
ChrisStockslager 1 year ago 19
holy christ! that first high note almost caused me to fall to the ground. he establishes himself, in the first minute of this duet, as one of the finest. I dream of singing notes that are soooooo precise and beautiful.
pointemeout 8 months ago 4