heian nidan bunkai

bunkai de heian nidan. Pablo Reyes

Category:

Sports

Tags:

• karate
• kata
• bunkai
• heian

[marloxini]

La verdad solo empezando la aplicación del kata no es la correcta. Aún no entiendo por qué después de bloquear con aiwan nagashi uke, sueles sacar en la aplicación un ashi barai; ya que no hay ningún barrido en la aplicación. Entiendo la concepción de muchos de querer adornar un kata con cosas adicionales para embellecerlo, pero de pierde la "esencia" del bunkai como tal. Saludos, e igual un gran trabajo.

[miriamloka135]

Thi is a sirt bunkai

[chudanjufood]

@Bassai That I would have to agree with, Age-Uke is not to be used this way as far as I'm concerned. I have always seen the sets of Age-Uke at the end of this kata as maybe blocking a strike with the first and coming up into the opponents face with the second. My point was that its not a bad thing to look into the throws. You cannot master anything if you don't experiment with it. Besides, this was a demonstration, of course they're not resisting. Not all good, but not all bad either.

[njtr]

@ronin752 Don't misunderstand me. I can tell by your posts that you are very knowledgeable of kara-te. I simply want to clarify my point. Now, as to one of your points... could you please explain a little bit about ti chi ki? This is the first I've heard of it. I'd like to look into it a little further, but I don't know where to begin. Any thoughts would be greatly appreciated.

[njtr]

@ronin752 Thanks for the response. Sorry I couldn't get back to you sooner. I guess I didn't make my point clear enough, so I'll clarify. Of course Funakoshi didn't create the kata.They were passed on to him by Itosu & Azato, and he to Nakayama. Than, Funakoshi changed the order of the Pinans, and called them heians. I'm arguing that, although it is understood that Okinawan karate most definitely had throws, Kano may have taught Funakoshi some NEW throws that he added to his personal karate. Osu

[ronin752]

@njtr

Funakoshi did not create the kata. So his training with Kano would not change the movement. Okinawan karate had throws prior to its introduction to Japan. Throwing and joint locking art parts of the original Chinese arts which form the basis of karate. However, this is not a particularly logical place for the throw.

[ronin752]

@ronin752

from an acclaimed master. One of the things that I like about many of the BBJ/MMA practicioners is their laboratory approach to training. I wish more karate-ka took this approach, maybe we would move back toward bujutsu. Two things: One, I know of some seminars you may be interested in, and two check out a post by a shotokan practicioner on habitual acts of violence. I think it simplifies the concepts McCarthy addresses.

[ronin752]

@Bassai

Sorry, but from my understanding, bunkai is a Japanese concept. The original hogen word for what the Japanese call bunkai is ti chi ki, or what the hand is doing. While they might seem similar, the Okinawans seem to explore a moment and all possiblities of what the hand is doing. This is quite different from the bunkai approach, which tends toward inflexiblity (the moment is only this with little variation). Even oyo bunkai is often discredited or undervalued...

[ronin752]

@ronin752

Sorry, but from my understanding, bunkai is a Japanese concept. The original hogen word for what the Japanese call bunkai is ti chi ki, or what the hand is doing.  While they might seem similar, the Okinawans seem to explore a moment and all possiblities of what the hand is doing. This is quite different from the bunkai approach, which tends toward inflexiblity (the moment is only this with little variation). Even oyo bunkai is often discredited or undervalued...

[ronin752]

@Bassai

Sorry, but from my understanding, bunkai is a Japanese concept. The original hogen word for what the Japanese call bunkai is ti chi ki, or what the hand is doing.  While they might seem similar, the Okinawans seem to explore a moment and all possiblities of what the hand is doing. This is quite different from the bunkai approach, which tends toward inflexiblity (the moment is only this with little variation). Even oyo bunkai is often discredited or undervalued unless it comes...