Handa Gote / Red Green Blue

A Guide for the Seeker of True Colours

Work with the most tawdry video apparatus and a video signal processed live, emanating directly from the stage, is complemented by minimalistic movement and live music.

The dance itself brings to life a current of images projected on the stage, and is in turn influenced by them. The movement and the projection are closely linked - the dance usually serves the video as a bearer or initiator. Video, on the other hand, is like hyperbole of the movement.

We feel as though we are in a swirl of colours, psychedelic images and fragments of situations, which wandered here from some home videos or supermarket security system. Reminiscent photography appears here at the start, and clichés of the entertainment industry.

The carboneous stone of the performance is an attempt to perfect visual conception, and at the same time to damask typical approaches to work, normally related to it.

The music is a dialogue between electronics of the time (clicks'n'cuts, microsampling) and play on historical, analogue apparatus.

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