Demo Reel: 35mm Movie Scene

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Uploaded by on Aug 19, 2010

Personal film work with the Arri 35BL IV 35mm Film Camera. Rocky Nash - Camera Operator and Color Correction. Movie: Molotov - 2009

Most of this was shot with the Arri on sticks on a Dolly so we could have a hint of camera motion to add suspense. Zeiss Prime lenses were used. First Assistant Camera was Cam Stoltz. Second Assistant Camera was Steven Szolcsanyi.

Jacques - Cat McCormick, Michel - Kristopher Bowman, Truelsen - John Henley

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Film & Animation

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Standard YouTube License

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Uploader Comments (rockynashfilms)

  • damn i wanted to see the full body burn.

  • @markterryonline me too!

  • thanks for replying, and i cant hide to u that am applying for an MFA in filmmaking at LFS, where's the chance to work closely with all sorts of cameras.

    keep the good work, waiting for more :))

  • @aMMarQuteineh That's awesome! focus on lighting just as much as camera is one thought I have for you. Stay in touch and send films!

  • Thats very cool, but how is the RAW footage look ? doesnt it look more sharply than what we saw here, i mean did u use any kind of soft filters either on the Mattebox or in the Post ? because eyes can clearly guess that. i liked the footage, its really moving me inside the film, great feeling, and great look

    could u plz tell us whats the benifit from the 35 instead of the new Digital Cinema like the RedOne ? i have worked in all sorts of cameras except the 35mm..so plz line us the difference

  • @aMMarQuteineh Yes the footage was sharper for sure (there are filters on this footage - in post) The benefits of film can be debated for a long time at this point in time. If you are pro film you are going to like the organic look of film, the blurriness of 24 fps, the detail and quality, the traits of different film stock, all of it. I'm more pro digital at this point (for me and my use). I think people are getting use to digital as well and liking its look. The cameras are getting better too.

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All Comments (13)

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  • @PBK0909 Yes there are post effects and colour correction. The camera used is shown in the 35mm demo reel behind the scenes video.

  • @aMMarQuteineh It was originally pieced together in AMC. I ran it through FCP as a means to convert it further and color correct it differently using, FCP and Red Giant Plug Ins

  • last, in which editing software did u cut the footages? on AMC or FCP ? and which color correcting software did u use? again i cant stop re-watching this film, great feeling

  • @analogueaddict I'm happy I shot 35 mm too. Digital has it's benefits but film is a lot of things digital is not that is for sure. Thanks for watching,

    Rocky

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