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Kraus canta "Mattinata"

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Uploaded by on Mar 12, 2007

http://www.espacioblog.com/alfredokraus

Aquí tenemos la célebre canción de Leoncavallo en una versión de Alfredo Kraus de 1959.

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Music

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Standard YouTube License

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  • la voce di Kraus è poesia

  • Grazie Kraustrujillo!

    Un tenore straordinario, voce forte ma melodiosa, piena, e di superba intonazione.

    Indimenticabile Alfredo Kraus, riposa in pace.

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All Comments (35)

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  • Increible!! Que diccion!! Es la primera vez que he entendido todas las palabras. Y la he escuchado cantada por muchos a los que llaman "grandes"...

  • Beautiful.

  • Another superbly sung example of this song by one the great Lyric Tenors of the 20th Century, a singer with a perfect technique, Viva Kraus!!!

  • J'ai toute les discographie et filmographie de Alfredo Kraus, apparitions à la télévision, documentaires biographiques, des concerts en Europe et en Amérique, écrire m'intéressait

  • extraordinario, tan buena su version como la de Pavarotti

  • Deslumbrante. Vuelve divina, una hermosa melodía

  • I don't think I've ever heard Kraus in better voice!

  • Dear crimsontoxic,

    For me the key is whether the performing artist extracts the full potential of an aria or song.

    Each aria or song contains certain expressive potential. This potential is unique to it, and is based on its specific character.

    Mediocre performers don't really "grok" what that potential is. Instead of expressing that potential, they rush to "embellish" the aria or song, imaging that they are "adding value" to it.

  • Dear crimsontoxic,

    Yes, we really do have to thank good folk like kraustrujillo et al for making this wonderful music accessible for the rest of us!

  • (And then we could 'argue' about whose "Dal labbro il canto" is 'better'. All that is only possible because some great people like kraustrujillo and others POST such gems on youtube. A fountain of everlasting pleasures, indeed it is!)

  • Hello, thecinadesk. I even tend to agree! Schipa is...'just' another sort of "refinement", I'd say. In my opinion he delivers a more nostalgic interpretation of "Amapola", whereas Kraus is decidedly "modern".

  • Dear crimsontoxic,

    Kraus' rendition of Amapola is superb.

    I would probably give Tito Schipa a tiny edge on that song though.

    But it's close either way.

  • "Amapola" is unsurpassed, too.

  • Great performance-a little more wildy passionate than we are used to from him

    There are several other compelling versions, as there are with many of these songs

  • quanto va su!!!

  • Kraus is simply amazing.

    His rendition of Musica Proibita was definitive. His rendition of Mattinata is also definitive. 

    For other songs or arias, other tenors have recorded versions that edge Kraus' versions out.

    But just leaving behind one definitive rendition of anything is an accomplishment.

    Leaving behind two is one hell of an achievement.

  • His singing is......what you Americans say?......."Goldilock". Not too high pitch as in Mario Lanza. He also struck a balance between soft and loud. With some tenor you could hardly hear the soft note.

  • Awesome

  • maxhansendk is an idiot.

  • Es uno de los tenores, que fueron privilegiados con, una voz maravillosa, y sobre todo, muy limpia en toda la pieza, simplemente es magnifico.

  • tengo conciertos de kraus en peru,chile,argentina,españa,do­cumentales biograficos,entrevistas,operas completas,peliculas,clases maestras,interesados escribanme

  • Grandioso, los bellos como escarpias

  • this song makes my aunts cry.

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