M. Favero & B. Gigli -La Traviata- Firenze 1940
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@aguacun i'd love if you could send me the gigli's autobiography please!! or if you cant send me the link please! thanks!
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@pabloprado77 Yes, I thought that because in his autobiography he said that a teacher once had to deceive, to trick him at the piano because he had problems beyound de B flat and the teacher made him to sing beyound the high C vocalizing. Gigli has a huge repertory but I ´d never consider him like an Alfredo Kraus or Nicolai Gedda as, precisely, a tenor who shows often high notes (meaning C´s or D´s).
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@aguacun why? you thught that he could not reach that notes? just search di quella pira 1936 by gigli you'll drop your jaw!!
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I´d never heard before a Hig C from Gigli. IN fact never expected tha he could sing a high C... great!!!!!!!!!
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Favolosi Gigli e Favero!...
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Faveros voice is the ideal for Violetta, light high, supertechnic and very moveing. In combination with Gigli the best Traviata- singers !
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The ideal voices for the La Traviata. This is opera in highest quality ! Falveros voice is most light and quickly, therefor ideal for this scene !
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Wonderful.
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With such a pair, who needs more?
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Recorded a 1/2 step higher but nevertheless it captures the brilliance and intensity of their voices.
2:45
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this is how opera must be
asderf22 3 years ago 5
This is Traviata as it SHOULD be sung unlike what is heard on the contemporary operatic stage
796824 3 years ago 5