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#11 EQ Competing frequencies :: Ableton Live

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Uploaded by on Oct 19, 2010

http://ABLETONDAILY.COM :: Ableton Live Tutorial :: How to reduce competing frequencies for clarity. I wish I had some more time on this one. I might make another video later.

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Howto & Style

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  • EVERYBODY LOVES RAYMOND? great tutorial tho, thanks raymond

  • Thanks, great tutorial! 

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  • ditto all the positive comments Mark... a tad over-explained for me, but that's the trade-off when you are addressing a wide audience... your choices of content are excellent (for what I am looking for, anyway...) thanks for your time and energy... !

  • @UKDNBpromo Not audible? What, are you listening to music on laptop speakers? You think all those DNB tunes you promote on your channel have nothing under the 30hz range?

  • Fam ur a G!!! BLESS!! WELL EXPLAINED!!

  • Glad I stumbled on to you Mark. Your tips are much appreciated.

  • YOU ARE FANTASTIC :D

    

  • the problem with the second example is that a lot of sub bass is just a sine wave, which has a single harmonic. That means that eqing it is pointless and you're better off fitting your kick with it instead.

  • Thanks Mark! Dig the vid! Gonna sign up for your channe!

    Much Love,

    DustTribe

  • @hkim927 mate, 30 hz and lower are not audible, you only feel them as vibration. anything thats not sub frequency, should have the 30hz shelf cutoff. all sub freq. should be eq'd and cutoff just beyond the 30 - 60 hz area.

  • Nice trick. But in this example rolling off on the pad is probably not warranted because you are only working with two sound source, or two parts sharing much of the same freq space. If there were more component parts involved in this track I believe I would roll off on the pad using a weak slope depending on pad type. By definition, a pad is really only for "padding" in the track, to give a sense of atmosphere. All pads freqs aren't required. Sometimes it can be warranted to BP the pad.

  • great tutorial man!!!

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