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Please, Hello

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Uploaded by on Aug 15, 2007

"Please, Hello" from Pacific Overtures, with the original cast in the 1976 television broadcast. Score by Stephen Sondheim, Book by John Weidman. Directed by Harold Prince. Choreographed by Patricia Birch.

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  • All of the sections of this song are based on the popular music of the various nations during the late 19th- and early 20th- centuries, when European imperialism was at its height: John Philip Sousa for America; Gilbert & Sullivan for England; Tchaikovsky, Rimsky-Korsikov and the like for Russia; and Offenbach for France (specifically the can-can). And the whole piece is a brilliant reversal of the racist "yellowface" tradition in American theater, including the stereotyped grammar.

  • Sondheim = Shakespeare

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All Comments (63)

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  • Awesome!

  • I absolutely love this song because each character has such a distinct style in each of their verse and yet it all works together incredibly well.

  • I used to laugh so hard at "Don't touch the coat!" I remember my dad doing his over the top impression every time we talk about this show. Good memories! :)

  • While I have to admit a fondness for Mako overall, the original production did seem overblown. I've seen several more stark ones, including a wonderful "in the round" version in Philadelphia, that had a stronger dramatic impact, and I thought brought more of the simple Japanese theater style into play. I still like the play and music regardless.

  • @DannyHiggs

    Try again until you don't fail.

  • Why has this never been released on DVD other Sondheim original prodcutions have been released so why not this one?

  • @sunnyblossoms I'm not offended by it. It just doesn't thrill me. My visceral response to the song is "meh." I can't get into it the way I can with other Sondheim songs--especially other songs from this show.

  • @DannyHiggs The fact you know what the song means but still are offended/do not like it give you every right to not like it.

  • this show never appealed to me when I listened to the original cast album, but then when I saw it in the Donmar warehouse production in London some years ago it was a revelation ! very much scaled down I suddenly "got" it and have loved it ever since...but I'm sure it was wonderfull in the original production too, maybe it felt too remote and inaccesible(which it definitely isn't!) for a general audience, i don't know...

  • I played from 8:28 in this song and from 6:21 in Someone in a Tree. How sad is it I understood what everyone was singing?

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