GERMAN USERS can play this video by visiting www.tagg.org/ptavmat.htm#Germany
Whether you think of it as ii7, iv6 or the 'Tristan chord', m7-5/m6 has a recognisable aural identity. This montage demonstrates the connotative coherence documented on pp.180-204, 566-573 in 'Ten Little Title Tunes' (www.tagg.org/mmmsp/10Titles.html).
Bravo!!
ccalderonu 4 months ago