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That's hard to say because right now there's a lot of posturing. I read it as Paul wants to be boss. At least 1 of the others is not having it. 2 of the others are representing ex-Beatles.
I actually think Yoko is probably not the issue but Olivia Harrison and Ringo might be.
So it might be never. Who knows maybe Paul say fuck it and just leaks it out. That could happen at anytime since he has a copy in his home(or so I have been told).
That was my point though. I could have did a Lord of Bafoonary(sp?) type of rendering but there's not much entertainment in that. I could have precisely arranged the supposed description, yelled Barcelona or even yelled Fawlty Towers...
Instead I went for symbolism and digestible complex simplicity. That is to say I wanted a sonic conflict. The walking bas line and steady drum beat and the carnival with all the cages open and the sonic beasts running a muck.
You're on. Someone on here told me he heard the real thing. He seemed to make a convincing argument that he did. It is possible others would have heard it over the years.
All musicians love to show off. Even if a bass player can only manage to grin like Lurch. So as the story goes Paul played the track for him and his father who was working for Paul at the time.
He described it enough to make me believe it was Revolution #9 type material.
I'd love to hear what Paul thinks though...good or bad. I bet someone showed him it but then again he's Paul McCartney. Showing him this song is like pointing out a skin blemish on a Blue Whale.
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I actually think Yoko is probably not the issue but Olivia Harrison and Ringo might be.
So it might be never. Who knows maybe Paul say fuck it and just leaks it out. That could happen at anytime since he has a copy in his home(or so I have been told).
Instead I went for symbolism and digestible complex simplicity. That is to say I wanted a sonic conflict. The walking bas line and steady drum beat and the carnival with all the cages open and the sonic beasts running a muck.
All musicians love to show off. Even if a bass player can only manage to grin like Lurch. So as the story goes Paul played the track for him and his father who was working for Paul at the time.
He described it enough to make me believe it was Revolution #9 type material.
I used a lot of symbolism to create my track.
I'd love to hear what Paul thinks though...good or bad. I bet someone showed him it but then again he's Paul McCartney. Showing him this song is like pointing out a skin blemish on a Blue Whale.