The Rolling Stones - Paint It Black (Ready Steady Go - May 27, 1966)

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The World's Greatest Rock n Roll Band, they keep proving it over and over again. The Stones were formed by blues purest, guitarist and harp player Brian Jones in 1962. He wanted to start a R&B band and the first to join him was pianist Ian "Stu" Stewart, followed by guitarist Geoff Bradford. In June, Mick Jagger (vocals) and Keith Richards (guitar) joined them. Also to join the band at that time was bass player Dick Taylor, but no set drummer was to join at first. Bradford left the band shortly after Richards and Jagger joined. Several drummers would play with the band - Mick Avory (who later would join the Kinks), Tony Chapman, Charlie Watts and Carlo Little. Jones was the band's early leader and was the one to come up with the name, which he took from a Muddy Waters song. That December Dick Taylor left and Bill Wyman took over the bass duties. In January '63 Charlie Watts finally decided to take up on a earlier offer to join the band and the heart and soul of the Rolling Stones was now in place. The Stones started out playing small clubs. Their first studio work took place that March but it wasn't till they met Andrew Loog Oldham that things would start to click for them. Oldham signed the band to work for him and partner Eric Easton that May. But there would be one more change. Oldham didn't feel Stewart's image fit in with the rest of the band's and insisted on him being out of the main line up. Luckily for the Stones, Stu agreed to become their road manager and still play his fine piano in sessions for the Stones till his death in December of 1985.

Success came to the Stones rather quickly as they transformed from a blues band to a rock band. In the coming years the Stones would experiment with just about every kind of rock music out there. But still, they would never wander too far from the blues. It was Jones and Richards who wrote the blueprint for rock guitar weaving that so many other bands would soon partake in. Jones was also the first white man to play slide guitar and played it superbly. Richards in time would be know as one of rock's best ever rhythm guitar players and his guitar riffs became the trademark sound of the Stones. With Wyman & Watts the band had one of rocks best rhythm sections too. But with that all said and done, it was Jagger who was perhaps the main reason for the band's rise to the top. Jagger early on took over as the band's leader and as singer was the front man. His stage presence was unlike his contemporaries and the young fans just loved him.

By the mid sixties the Stones were the number two band in rock behind the Beatles. They would turn out a number of great songs written by Jagger/Richards that had instruments on them that were never heard before in rock music. This all came via the versatility of Jones, "a cat who could play any instrument" as Richards would later say about him. But by the late sixties things were not going well between Jones and Jagger/Richards. Jones wanted writing credit on songs he help write in the studio, which he would never receive. In May of '69, Jones left the band. The band hired blues guitarist Mick Taylor to take his spot in the group. Taylor's guitar playing compared to Jones' was a world apart. Taylor played a more cleaner guitar than Jones and unlike Brian stuck to just the guitar. As the Stones entered the seventies he pretty much took over most of the lead guitar parts in the band as Richards' drug problems got somewhat in the way. While all this went on, Jagger remained the front man and continued to deliver songs vocally like no one else.

"Paint It, Black" is a song by The Rolling Stones, released on Friday 13 May 1966 as the first single from their fourth album Aftermath.[1] It was originally titled "Paint It Black" without a comma. Keith Richards has stated that the comma was added by the record label, Decca.

The song was written by Mick Jagger and Keith Richards, though Brian Jones contributed to the song's signature riff. Bill Wyman claims in his books that the song was a collective effort of the group, a 'Nanker-Phelge' one, but mistakenly credited to Jagger/Richards at the end.

The single reached number one in both the United States and the United Kingdom charts in 1966. In 2004 it was ranked number 174 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time. In the US and UK, it was the first number one single to feature a sitar on the recording.

SOURCE: Wikipedia

Category:

Education

Tags:

• pop
• rock

[acerooni]

What a brilliant piece of timeless music.

[imaStonesFan]

They are the greatest and always will be

[brainsareus]

check out the citar !!

[yohei72]

Searched for this after listening to an interview on American public radio with Michael Lindsay-Hogg, the director who worked on "Ready Steady" early in his career and went on to shoot "Let It Be," "The Rolling Stones' Rock & Roll Circus," etc. He talked about how innovative this show was in terms of its multiple camera angles, creative editing and lighting, live (not lip-synced) performances, etc., compared to similar shows of the era. This is the grandfather of MTV, right here.

[mountainmmama]

Happy Birthday Mick!

[darkalexful]

awesome



[Tazbo34]

Here John1948ElevenA31, I see your getting the same hassle from this shyster MusicDocu claiming he owns this clip and we ripped the recording off his dvd, what a tosser I haven't even seen his dvd!!! What a cheek, eh??Great upload keep 'em coming!!!