Lyrics by France Briffaut. Sung by Rita Cadillac. Written by Klaus Doldinger for the movie Das Boot.
Allez viens mon gars la vie te tend les bras,
Un petit tour un deux trois un p'tit coup toi et moi
C'est pas plus difficile que ca il suffit d'y croire et puis voila
C'est tout miel, c'est tout ciel, c'est tout reve et soleil..
Allez viens mon gars, viens la, le temps n'attend pas
Allez viens mon gars, viens la, tant que je te tends les bras
Allez viens mon gars, viens la, le temps n'attend pas
Allez viens mon gars, viens la et serre-moi contre toi
Embrasse moi.
Ah! Comme c'est doux ta bouche avide dans mon cou,
Ah! Comme c'est fou tes dents de loup sur mes genoux
Vas-y mon chou va jusqu'au bout et tout d'un coup grand machant loup
Eh, ne crains rien, j'me sens bien, quel festin, allez viens...
Allez viens mon gars, viens la, le temps n'attend pas
Allez viens mon gars, viens la, tant que je te tends les bras
Allez viens mon gars, viens la, le temps n'attend pas
Allez viens mon gars, viens la enferme-moi dans tes bras
Caresse moi.
Range tes outils, deja, eteins l'incendie,
Un p'tit tour et fini un p'tit coup et puis merci
J't'avais dit, c'est pas pour la vie, juste pour une nuit, un peu de folie
Pauvre ami, rien compris, ben tant pis, tiens pardi
Allez va mon gars, c'est ca, le temps n'attend pas,
Allez va mon gars, c'est ca, y'a d'autres filles que moi,
Allez va mon gars, c'est ca, le temps n'attend pas,
Allez va mon gars, c'est ca, bientot tu m'oublieras,
La vie va.
Short Bio for Rita Cadillac:
French Rita Cadillac (1936-1995) was a striptease artist, who appeared in a dozen French crime films in the 1950's and 1960's. She became a renowned stripper throughout Europe.
Rita Cadillac was born as Nicole Yasterbelsky in Paris, France, in 1936. As Rita Cadillac, she began making a name for herself as an exotic dancer on the stage at Paris' famous Crazy Horse Saloon, at age 18. Rachel Shteir writes in her book on the history of striptease that Cadillac did complicated, highly produced, funny, sexy numbers. In one of her most famous boudoir acts, set in a 1880's Arizona honky-tonk, Cadillac removed her her white corset with green polka dots and her black tulle gloves with an agonizing slowness, that inspired total silence in the theatre. Her well-proportioned form became legendary in European popular culture circles. She used her pseudonym also for her records and films. Between 1959 and 1962 she recorded witty and racey songs like Ne comptez pas sur moi - pour me montrer toute nue (Don't Count on Me to Show Myself Totally Nude), Adonis, C'est fou (It's Crazy) and J'ai peur de coucher toute seule (I'm Afraid to Sleep All Alone). At the time, a couple of Scopitone clips were made of some of her songs.
Rita Cadillac appeared in a dozen films, both in leading parts and in small supporting roles, often doing a striptease number. She made her film debut in Soirs de Paris/Paris'Evenings (1954, Jean Laviron), a sexploitation film about the night life of Paris. More interesting were Gueule d'ange/Pleasures and Vices (1955, Marcel Blistène) with Viviane Romance, the film-noir Jusqu'au dernier/Until the Last One (1957, Pierre Billon) starring Jeanne Moreau, and the espionage thriller Me faire ça à moi/ Do That to Me (1960, Pierre Grimblat) with Eddie Constantine. The most distinguished of her films of the 1950's was René Clément's Gervais (1956), for which, ironically enough, she received no credit, merely serving as the body double for Suzy Delair (who was 20 years her senior) in one scene.
In the early 1960's Rita Cadillac acted in crime films like Dossier 1413/Secret File 1413 (1961, Alfred Rode) and La prostitution/Prostitution (1963, Maurice Boutel). She also appeared in more high profile films like Mélodie en sous-sol/Any Number Can Win (1962, Henri Verneuil) starring Jean Gabin and Alain Delon, and Cadavres en vacances (1963, Jacqueline Audry) with Simone Renant. Outside France, she starred in the Spanish crime film Juventud a la intemperie/The Unsatisfied (1961, Ignacio F. Iquino) and played a supporting part in the Greek musical comedy Afto to kati allo! (1963, Grigoris Grigoriou). but after that her film career halted. Later she worked on tv in the series Max le débonnaire (1967, Yves Allégret) and on stage in La Maison de Zaza by Gaby Bruyère (1971, Robert Manuel), at the Théâtre des Nouveautés in Paris. Reportedly she also appeared in operas. In 1981 she made a come-back for the cameras in the celebrated film and mini series Das boot/The Boat (1981-1985, Wolfgang Petersen) as club singer Monique in the town of La Rochelle. Rita Cadillac died of cancer in Deauville in 1995.
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Ez valóban vissza adja a film lényegét, a francia megszállást és tengeralattjárósok
kikötői életét harcba indulás előtt. Ez a dal tetszik legjobban az egész filmből.
cszg1 1 year ago
@cszg1 Errrr....wut?
fronzel99 1 year ago
@fronzel99 hi... i don't understand.
cszg1 1 year ago
@cszg1 Great that makes us 2 already!
fronzel99 1 year ago