Easy Flamenco Guitar - Paella

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Uploaded by on Nov 21, 2008

A rather easy piece apart from the 2nd Falseta and the picado runs. You can leave them out and the piece still keeps its character. Falseta 3 (high frets) replaces Falseta 2 or can be taken as accompaniment for Falseta 2 (when played with 2 guitars).

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Music

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Standard YouTube License

  • likes, 6 dislikes

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Uploader Comments (flamencoaficion)

  • si no me equivoco, tiene gran influencia del Niño miguel. Es una pieza muy bonita, felicidades.

  • Gracias, lo que dices me alegra. Tienes muy buen oido y conocimiento de la guitarra flamenca.

  • Great! 5 stars!

  • Thank you for watching, voting and commenting.

  • Ole!!! Bravo!!!

  • That's fine that you like it, thanks, Alexey. Nice to hear from you again.

Top Comments

  • easy!?!?

  • maan great but that was NOT EASY :D

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All Comments (53)

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  • ojala tubiera esa tecnica que tienes tu , valla ejecucion limpieza y picados , asta e rasgeo en su sitio uff, ¿esq guitarra cual es? un abrazo

  • Beautiful song - great job! I would be great if you could post a video showing the left hand also, so we can see the rest of your guitar technique. Thanks!

  • @flamencoaficion Esto video es muy bien; las falsetas son muy bien aunque. Pero queria preguntar algun: sabes websites donde puedo ver partituras de flamenco? Toco aunque la guitarra flamenca, pero no sabo websites donde puedo buscar por partituras de flamenco. Puede ayudar? FELICITATIONES POR ESTO VIDEO Y LA MAGNIFICA INTERPRETACION. SALUDOS DE GRECIA.

  • Flamenco, musica deliciosa, embriagante, apasionante... me encanta!

  • three letter: OMG!!!

  • great piece. I wish you had included the fret hand. Would make it easier to learn. I hear some of the other bulerias, channeling Manuel Molina

  • Do you have notes/tabs for this piece I really love it and want to learn it. :D

  • nice one:) but not easy !!!!!

  • Óleee, precioso, te rogaría q la subieras despacito y que se viera la mano izquierda, me gustaria aprenderla. Un saludo d antemano artistazo.

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