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A key lick that highlights the change from the I to the IV chord appears in the fourth measure, creating tension through its use of the C's #5. The b5 played just before the change to the IV chord voice leads perfectly into 9 of the IV chord--a half step down to the eighth fret on the B string. Be sure to check out the slide from b9 to the 9 over the G in the turnaround, creating a similar kind of tension.
Me too!! Easy to follow great to listen to. I like what you said about internalize rather than rationalize.... Rationalize later... Very wise master...very wise.
Bluederrick1 1 month ago
Great, I'm enjoying your lessons - thanks!
loui0008 6 months ago