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Anton Bruckner - Symphony No. 8 in C-minor - IV, Finale. Feierlich, nicht schnell

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Uploaded by on Sep 24, 2011

Symphony No. 8 in C minor is the last symphony Bruckner completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 in Vienna. It is dedicated to the Emperor Franz Joseph I of Austria.
Bruckner began work on the Eighth Symphony in July 1884. Working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory, the composer had all four movements completed in draft form by August 1885. The orchestration of the work took Bruckner until April 1887 to complete: during this stage of composition the order of the inner movements was reversed, leaving the scherzo second and the Adagio as the third movement.
The symphony has four movements:
1. Allegro moderato;
2. Scherzo. Allegro moderato - Trio.Langsam;
3. Adagio. Feierlich langsam, doch nicht schleppend;
4. Finale. Feierlich, nicht schnell.
The symphony begins in a tonally ambiguous manner with a theme rhythmically reminiscent of the main theme of the first movement of Beethoven's No. 9. A more song-like second subject group uses the Bruckner rhythm. The third subject group, which is strikingly dissonant, forms a smooth transition to the development. In structure, the opening movement is therefore a typically Brucknerian three-subject sonata form, though handled with more panache than in his previous works. The development was substantially refined in 1890. In both versions, this section of the movement is most notable for its massive, augmented three-part statement of the main theme, impressively given on full orchestra in combination with the Bruckner rhythm of the second subject group.
The main part of the Scherzo is fundamentally the same in both versions, though somewhat more repetitive in the first version. The orchestration and dynamics are more refined in the second version, helping to give the movement a rich and original sound. The Trios, however, are quite different: the 1890 version was rewritten as an adumbration of the ensuing Adagio movement, featuring the harps, and the tempo was slowed down.
The main difference between versions of the third movement is at the climax, for which in the 1887 version Bruckner managed to insert six cymbal clashes. He must have thought that excessive, as he pared it down to two in the 1890 version. The key of this climax was also altered from C major in 1887 to E-flat major in 1890. The coda of this movement is recalled in the Adagio of the Ninth Symphony.
This Adagio differs from those in other symphonies by the composer in that the second thematic group is not presented in a more flowing tempo. The two themes are, first, a recollection of the slow movement of Schubert's Wanderer Fantasie for Pianoforte and an answering descending passage, both over throbbing, richly scored strings; and, secondly, a tonally unstable passage radiant with ecstasy. The structure and scale of the Adagio as it develops these themes is grander than any of Bruckner's previous slow movements.
In the fourth movement, the opening theme is a powerful chorale, originally given over a march, in which the rhythmic thundering of the timpani recalls certain passages in the opening movement. The second subject, a song-theme, is remarkable in that it recollects not only its counterpart in the first movement but also the Adagio. The third subject is a march-theme, which is a direct reworking of the introduction to the third subject group of the opening movement. In the recapitulation, this third theme is presented as a fugue which leads to the solemn coda and the splendid, bright finish to the symphony.

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Uploader Comments (IlaryRhineKlange)

  • Beautiful!...Awesome!... Which orchestra is playing and who's conducting? :)

  • @Petri547 Karajan & Wiener Philharmoniker.

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  • @IlaryRhineKlange

    Thanks for info.I might have quessed.Heard "Karajan-sound" from symphony,while orchestra was playing. :)

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