Homage to Crowley - Paul Brook

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Uploaded by on Jul 13, 2007

After 3 years worth of effort I discovered the psychological method for one of Aleister Crowley's most powerful pieces of Black Magic.

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Entertainment

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  • likes, 5 dislikes

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  • You can clearly see his left hand is on his thigh as he drops a knee and doesn't at any point touch the other man. Why would Paul Brook waste his and your time with actors or other cheap tricks?

  • absolutely love it...

  • @Gorkilein one hand is on his knee, the other is on the pavement. The guy's an actor

  • It really does look like he pushes the guy at 2:55. Of course, the guy could be in on it, or some other simple explanation. Certainly is not "magic".

  • The camera postion to create the mise en scène a la "reality TV", are all fiction... Who´s going to walk in front of a camera and pretend that it´s not there? An actor... Only the gullible can fall for this video con!!!

  • I think Crowly, as well as L Ron Hubbard, were nothing but conmen. As well as the maker of this video. ALL HAIL COMMON FUCKING SENSE!!!!!

  • crowley had more self controll than you could ever dream of. he was extremely accomplished in meditation and yoga practices. which you obviously know nothing about or you would know the rigid self controll it takes to get anywhere in them.and yes he rebelled against religeon. but only because he saw how much unhappiness and bigotry it created. and like every free thinker since the dawn of religeon crowley has been labeld evil and a heretic

  • I think he used unconscoius rapport, by matching a neurological state with the "victim" and while tranced in his walk he pace and leads him into falling. Quite simple expalnation actually, but not simple to do.

  • Altough there's physics involved, I don't think it's his hand. I have another theory.

    Plus if he would push with his hand, the dude would watch Paul, but he doesnt.

  • Are you all stupid? As he falls he uses the unbelieveable "psychology" of pushing the guys ass with his freaking hand OMG! Look at 2:55

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