James Taylor - Riding on a Railroad

James Taylor music: http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.... Watch the full show: http://thesixtiesarchive.blogspot.com/2011/03/james-taylor-live-in-concert-19...

Taylor checked himself out of McLean and, at Kortchmar's urging, moved to New York City to form a band. They recruited Joel O'Brien, formerly of Kortchmar's old band The King Bees, to play drums, and Taylor's childhood friend Zachary Wiesner (son of noted academic Jerome Wiesner) to play bass, and -- after Taylor rejected the notion of naming the group after him -- called themselves The Flying Machine. They played songs that Taylor had written at and about McLean, such as "Knocking 'Round the Zoo", "Don't Talk Now", and "The Blues Is Just a Bad Dream." In some other songs, Taylor romanticized his life, although he was plagued by self-doubt. By summer 1966 they were performing regularly at the high-visibility Night Owl Cafe in Greenwich Village alongside acts such as The Turtles and Lothar and the Hand People.

Taylor associated with a motley collection of people and began using heroin, to Kortchmar's dismay, and wrote the "Paint It, Black"-influenced "Rainy Day Man" to depict his drug experience. In a hasty recording session in late 1966, the group cut a single, Taylor's "Brighten Your Night with My Day" backed with his "Night Owl." Released on Jay Gee Records, a subsidiary of Jubilee Records, it received some radio airplay in the Northeast, but only charted to #102 nationally. Other songs had been recorded during the same session, but Jubilee declined to go forward with an album. After a series of poorly-chosen appearances outside New York, culminating with a three-week stay at a failing nightspot in Freeport, Bahamas for which they were never paid, The Flying Machine broke up. (A UK band with the same name emerged in 1969 with the hit song "Smile a Little Smile for Me". The New York band's recordings were later released in 1971 as James Taylor and the Original Flying Machine.)

Taylor would later say of this New York period, "I learned a lot about music and too much about drugs." Indeed, his drug use had developed into full-blown heroin addiction during the final Flying Machine period: "I just fell into it, since it was as easy to get high in the Village as get a drink." He hung out in Washington Square Park, playing guitar to ward off depression and then passing out, letting runaways and criminals stay at his apartment. Finally out of money and abandoned by his manager, he made a desperate call one night to his father. Isaac Taylor flew to New York and staged a rescue, renting a car and driving all night back to North Carolina with James and his possessions. Taylor spent six months getting treatment and making a tentative recovery; he also required a throat operation to fix vocal cords damaged from singing too harshly.

Taylor decided to try being a solo act and a change of scenery. In late 1967, funded by a small family inheritance, he moved to London, living variously in Notting Hill, Belgravia, and Chelsea. He recorded some demos in Soho and, capitalizing on Kortchmar's connection to The King Bees (who once once opened for Peter and Gordon), brought the demos to Peter Asher, who was A&R head for The Beatles' newly-formed label Apple Records. Asher showed the demos to Paul McCartney, who later said, "I just heard his voice and his guitar and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's great." Taylor became the first non-British act signed to Apple. Living chaotically in various places with various women, Taylor wrote additional material, including "Carolina in My Mind", and rehearsed with a new backing band. Taylor recorded the album from July to October 1968 at Trident Studios, at the same time The Beatles were recording The White Album. McCartney and an uncredited George Harrison guested on "Carolina in My Mind", whose lyric holy host of others standing around me made reference to the Beatles, while the title phrase of Taylor's "Something in the Way She Moves" provided the starting point for Harrison's classic "Something." McCartney and Asher brought in arranger Richard Hewson to add orchestrations to several of the songs and unusual "link" passages in between them; these would receive a mixed reception at best.

Category:

Music

Tags:

• james
• taylor
• riding on a railroad
• lyrics
• chords
• tabs
• tab
• train
• guitar
• video
• creature
• swift
• spore
• taylor swift
• mar
• lesson
• spirituality
• creator
• singing
• bond
• spore creature
• creature creator
• belong
• story
• you
• you belong
• fearless
• horse
• love story

[pvenice87]

the greatest ever