RMI Harmonic Synthesizer and Keyboard Computer demonstration record, part 2

"RMI has just released TWO GREAT CONCEPTS on the musical public -- HARMONIC SYNTHESIZER and KEYBOARD COMPUTER. You will soon be hearing our sounds from other sources, since recording studios and touring groups are starting to use the new instruments. It appears we have hit on something -- see what you think.

Everything you hear on this record was recorded LIVE in REAL TIME by ONE PERSON. Any cross--fading or instruments appearing in contrast between the left and right channels was accomplished by the performer's use of the pedal -- not the recording engineer. RMI's concept allows the single performer to create five Independent channels of audio, bringing studio effects to the concert stage. Live concert ensemble will be improved while studio recording time will be greatly reduced.

Mike Mandel, keyboard wizard, was the first "outsider" to try our new instruments. Mike took to them like a fish to water. Cut one on side two is a section of an improvisation that began after only two hours. Although a tape was made at the time, there had been no plans for a record. Mike's inspiration from this first meeting convinced us that this cut was a must.

Clark Ferguson, marketing director at RMI, has composed music to illustrate the potentials of the new instruments in dealership concerts and demonstrations throughout the country.

Carlo Curley, a young and exciting concert organist, feels with the advent of the RMl Harmonlc Synthesizer and Keyboard Computer, a new era of expression has arrived. During the recording of the Daquin "Noel," Curley was inspired to improvise on the theme using the Keyboard Computer strings.

[RECORD SIDE TWO]

MANDEL DOES IT -- Full use is made of Channel Three and the Pitch Bender. A rapid percussive arpeggio is programmed on the sequencer as a background. Filter "sweeps" are used as accents.

NON-PIPE ORGAN -- You know what we mean. Characteristic keying noise and percussion are created by card #F3186. #1184 produces a typical setting. Rotating speaker effects are created by Chorus and the Vibrato Touch Bar.

JAZZ FLUTE -- Card used - Jazz Flute #F2335. Twelfth harmonic is percussed rapidly to create "over--blowing" transients. Fundamental and other harmonics on card #F2335 are delayed by Slow Attack mode.

RECORDER AND HARPSICHORD -- Alto Recorder #F2065 is heard with slight vibrato on channel one. Pulse cards #SPG1001 and #SPG2002 are percussed through channel two (no vibrato). Quick changes are made with the pedals.

MOMENT MUSICALE (Schubert) -- Percusslve accompaniment on Computer. Solo line is played alternately on the Synthesizer Left and Right Voices.

NOEL (Daquin) -- Flutes and harpsichord are the main instruments. Light bells are "sequenced" at random on the Synthesizer.

Produced by Clark Ferguson & Steve Roth, A.O.C.
Recorded at: Helffrich Recording Lab, Allentown, Pennsylvania
Front cover: Sam Smith, Allentown, Pennsylvania
Back cover: Tom Zwicki, A.O.C.

© RMI 1974
Rocky Mount Instruments, Inc., Sales Office: Macungie, Pa. 18062 Phone: 215/965 9801

Subsidiary of Allen Organ Company"

Category:

Music

Tags:

• RMI
• Rocky Mount Instruments
• Harmonic Synthesizer
• Keyboard Computer
• Jean Michel Jarre
• synthesizer
• demo
• LP
• record
• electronic

[VangelisWorld]

Great musics!