Episode #106: Julie Mehretu puts the finishing touches on her large-scale painting "Mural" at Goldman Sachs, adjusting shapes and colors in dialogue with the architecture and views from the street.
Julie Mehretu's paintings and drawings refer to elements of mapping and architecture, achieving a calligraphic complexity that resembles turbulent atmospheres and dense social networks. Architectural renderings and aerial views of urban grids enter the work as fragments, losing their real-world specificity and challenging narrow geographic and cultural readings. The paintings' wax-like surfaces—built up over weeks and months in thin translucent layers—have a luminous warmth and spatial depth, with formal qualities of light and space made all the more complex by Mehretu's delicate depictions of fire, explosions, and perspectives in both two and three dimensions. Her works engage the history of nonobjective art—from Constructivism to Futurism—posing contemporary questions about the relationship between utopian impulses and abstraction.
Learn more about Julie Mehretu at: http://www.art21.org/artists/julie-mehretu
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Wesley Miller. Camera & Sound: Nick Ravich. Editor: Mary Ann Toman. Thanks: Erika Fortner; Jessica Kingdon; Goldman, Sachs, & Co.; Harmony Murphy; and Damien Young.
@larssvanholm total fraud
afaf233 1 week ago
just brilliant!
larssvanholm 1 month ago
@elasutbe what a great post... ;-)
eotto2001 7 months ago
that's just stupid
neonaction 1 year ago
Stuart Davis has a posse
elasutbe 1 year ago
Beautiful Piece Of Art !
Congrats Julie Mehretu -- NYC forEver
eddiemambo 1 year ago
great modus operandi
notecopies 1 year ago
I used to think that a 6' x 5' canvas was a large work!
artbystevejohnson 1 year ago 2