Irving Fine - Partita (1948) for Wind Quintet (2/2)

Irving Fine (1914-1962)
Partita for Wind Quintet (1948)

I. Introduction and Theme
II. Variation
III. Interlude
IV. Gigue
V. Coda

Boehm Quintette:
Sheryl Henze, flute
Phyllis Lanini, oboe
Steven Hartman, clarinet
Joseph Anderer, horn
Robert Wagner, bassoon

"Described in the most general terms the Partita is a set of free variations, although only the second movement bears any marked resemblance to the formal and tonal scheme of the 'theme.' Actually, the technique employed throughout is closer to what is usually called thematic metamorphosis. The material for the entire work is evolved out of two melodic fragments. The titles of the various movements or sections should indicate their character. Hence, the first has the character of a classical theme to be varied in the classical manner. The second movement is clearly a variation of its predecessor. The short meditative 'Interlude' presents the basic material in its simplest form, but accompanied by warmer harmonies. The 'Gigue' occupies the central position in the entire work and is, at the same time, the most extended movement. It is in sonata form, but has an abridged recapitulation which ends abruptly in a foreign key. The movement entitled 'Coda' has the character of an epilogue and solemn processional." ~ IF

Category:

Music

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• irving
• fine
• partita
• boston
• school
• neoclassicism
• stravinsky
• hindemith
• bernstein
• copland