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Emil von Sauer (1862-1942): Chopin - Etude in E op.10 no.3

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Uploaded by on Feb 9, 2008

Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.

This recording of Chopin's Etude in E op.10 no.3 was made in around 1928.

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Top Comments

  • I Like this version better than Pachmann's. But in my opinion, Paderewski is the best performer of this etude

  • Stunning! Bravo! TY.

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All Comments (15)

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  • Lang Lang can suck it! haha

  • Vlado Perle muter - never a favorite of mine plays this in the most moving way. what a contrast the b section is with Sauer . Happy,fleet .Completely different charachter. I don't know if he was someone who played differently every time or if he planned every detail but the return of the subject here is unforgettable.

  • i think Sauer is just trying to make a contrast between the lryical a section and the middle section.I hope he has letters which willsurvive .He does not seem to consider himself more a Rubinstein student.One letter he talks about how the floor disappeared (the universe) when He came to Liszt talking about Anton's Moonlight son.

  • I really enjoyed it. Although the central section might sound too mechanical, in fact, it achieves to presenting the piece as sectional and contrasting. The returning first theme, after the B section, has a more expressive quality. A great version, very far from the nowadays taste!

  • i don't know about you guys, but i was bobbing my head and laughing out loud in the middle section! how true to the intent of chopin that was, who the hell knows?!

  • not my type... but how unique!

  • I love it so much! So different. I think von Sauer is not concerned with technical aspects at all. He is truly making a statement that he is 'sick' of hearing all the badly exaggerated ways of doing music, that's why he plays it in a so-called "mechanical" way which is done exceedingly well!, surprises and lures us.

  • Yes, the B-section starting at 1:18 really sounds like a Czerny-etude, very strange for this truly great and poetic virtuoso!

  • I find this very stiff and mechanical.

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