Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Pt Nikhil Banerjee - Raag Gara पंडित निखिल बैनर्जी

Loading...

Sign in or sign up now!
32,234
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Dec 23, 2007

Maihar Gharana
The great maestro play raag gara on british tv show.
Tabla by a great master of this drums Pandit Anindo Chatterjee
Collection from Nick (trippy Monkey)uk based
original google poster.

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 1 dislikes

Link to this comment:

Share to:

Top Comments

  • NB is a common name in the world of ICM today, and many call him a genius, but sitar players forget why he was a genius. They copy is technique and tone (purbayan chatterjee) and forget the quest for self realization through music that NB was all about. Loosing yourself in the Raga and playing innermost. There is generally a huge gap between the era of NB, Vilayat Khan, Bismillah Khan, Hariprasad, Ali Akbar, ect.

  • Wonderful. One of the faster tempo ragas from the beginning. Agree, Anindo is marvelous on tabla. We are blessed that Nikhil's spirit can still be with us through his music. Darsham.

see all

All Comments (55)

Sign In or Sign Up now to post a comment!
  • A SOFT TOUCH OF HIS FINGERS ,WHAT A MELODIOUS RAAGA GARA

  • And they say God listens to Latin. Ha!

  • I feel blessed to listen to this. Thanks.

  • @rendlesham .......................But a great electric blues guitar can stop time as well. The great Roy Buchanan for instance. Many Blues scholars were also enthusiasts of Indian Music, Davy Graham and The Blind Owl, Al Wilson who played on The Saraswati Vina as far back as 1962. Nikhilda is truly timeless and unsurpassed. What of the great 8 string sitar debate btw? How long did Panditji utilize his extra ga string to get both features of Kharaj Pancham and Ghandar Pancham styles?

  • I agree 100% - from the spiritual side and even just on the artistic side. There is rasa overflowing from the performances from those days of Nikhilda, Vilayat Khan, Bismillah Khan, Hariprasad, Ali Akbar etc. We have a lot of shredding of sargam (not real taans) and sentimental meends (fake gayki) on the instruments today pretending to be raga, but very little if any real rasa. And I may be mistaken but I think this "pancham se gara" and not "regular" (Shadja based) gara.

  • @Carter439 I agree 100% - from the spiritual side and even just on the artistic side. There is rasa overflowing from the performances from those days of Nikhilda, Vilayat Khan, Bismillah Khan, Hariprasad, Ali Akbar etc. We have a lot of shredding of sargam and sentimental meends on the instruments today pretending to be raga, but very little if any real rasa. And I may be mistaken but I think this "pancham se gara" and not "regular" (Shadja based) gara.

  • The world loses when such music is not shared. Wonderful.

  • Phenomenal performance.

  • no instruments apart from those that come from india allow one to express ones spirit so powerfully...they are the most intelligent instruments...

View all Comments »
Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more