Uploaded by alennira on May 19, 2008
The split or stressed attack
This kind of attack is very useful if we want to render more effective the subdivisions emerging from the melody and rhythm (Clip 140, Clip 141 Mozart from the 1st movement of Symphony n. 41 "Jupiter", Clip 142 S.Prokofiev from the 1st movement of Symphony n. 1 "Classica". )
from "introduction to the orchestral conducting" by Ennio Nicotra
piano duo Bruno Canino-Antonio Ballista
distributed worldwide by www.edizionicurci.it available in english, spanish, italian
SPANISH
Ataque (o gesto) subdividido
Este otro tipo de gesto es muy útil para transmitir con mayor eficacia las subdivisiones que se destacan particularmente en el tejido melódico y rítmico (clip 140, clip 141 Mozart del 1° movimiento della sinfonia n° 41 "Júpiter", clip 142 S.Prokofiev del 1° movimiento de la sinfonía n° 1 "Clásica").
from "introduction to the orchestral conducting" by Ennio Nicotra
piano duo Bruno Canino-Antonio Ballista
distributed worldwide by www.edizionicurci.it available in english, spanish, italian
ITALIANO
Attacco o gesto suddiviso
Quest'altro tipo di gesto è di grande aiuto nel rendere più efficaci le suddivisioni che spiccano in modo particolare dal tessuto melodico e ritmico (Clip 140, Clip 141 Mozart dal 1° movimento della sinfonia n° 41 "Jupiter", Clip 142 S.Prokofiev dal 1° movimento della sinfonia n° 1 "Classica". )
GERMAN
Der gespaltene oder betonte Anschlag
Wenn wir die Unterteilungen, die bei Melodie und Rhythmus auftauchen, wirkungsvoller übertragen wollen, ist diese Art des Anschlags sehr geeignet (Clip 140, Clip 141 Mozart aus dem 1. Satz der Symphonie Nr.41 Jupiter, Clip 142 S. Prokofiev aus dem 1. Satz der Symphonie Nr.1 Classica).
from "introduction to the orchestral conducting" by Ennio Nicotra
piano duo Bruno Canino Antonio Ballista
distributed worldwide by www.edizionicurci.it available in english, spanish, italian, german, chinese, japanese, korean
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