Corelli's Christmas Concerto by Roy Goodman and Brandenburg Consort, in Baroque Style ,Part 3

Stereo: http://www.youtube.com/watch?v=t4x5XrdU5fg&fmt=18
Roy Goodman as leader and soloist with the Brandenburg Consort, doing the Corelli's famous Concerto Grosso " Chritsmas"
Enjoy my friends!

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[PeriodinstrumentfaN]

@stradivari08

i think this is in A=392 Hz as well (French Baroque Pitch w/c is also argued as the pitch in Baroque Rome) ... i tried playing with them and had to tune my violin down a whole tone/note. :-)

Happy Christmas and a Prosperous New Year !!! :D

Ron

[stradivari08]

@ Ron

Thank you for sharing your experience !

Did the harpsichord tuned to the 392Hz as well?

Wish you a Happy New Year too, 3 more hours to 2010 here!

Regards from Kaoshiung ( Taiwan)，

Ｙｉｓｈｕ

[stradivari08]

@Ron

I tried using my metronome confirm the frequency, too bad 392Hz is out of bound as it provide only to 413Hz ( Korg Metronome), however the A open string in Canon sounds a bit lower than the 413Hz A from my metronome, and I believe you are right！

:D

Yishu

[changtuber]

One of the best renditions I've heard. And the stage and setting are like some portrait out of the Renaissance...

[HARMONICO101]

The beauty of Corelli's music is truly transcendental. He was loved in his own day and even subsequent generations, which was rare in the 18th century.

Corelli must have had a beautiful heart to have written music like this.

[theshinjiheart]

so beautiful...makes me cry u.u

[Thorbjorn14]

A voir en vrai, cela doit être époustouflant...

[tetorin77]

I cant say what this song make me feeI its just beautiful!

[usafwings09]

@stradivari08 Try tuning your A to a G relative to A being 440 hz.

[PeriodinstrumentfaN]

same here .. i think we share the same time table in the Philippines it's Hong Kong Time i think .... :)

the harpsichord should follow the tuning of the rest of the orchestra right ? so i guess it is tuned to A=392 Hz

Happy New Year !!! :)

[NikPMusic1986]

@coolbunnyred: PERFECT way to put it!

[NikPMusic1986]

I remember when I was first introduced to this piece back in 2002 and I was awe with enchanting progression and fluidity and breath-taking passing tones! Although I was only 15... I was effected forever! I love this piece and this interpretation is marvelous!