Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

J.S.Bach-Sinfonia of Cantata BWV 29 (GNG Organ Transcription)

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
9,163
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jan 20, 2010

This is my organ transcription of Johann Sebastian Bach's Sinfornia for Cantata BWV 29 "Wir danken dir, Gott, wir danken dir". I wrote this organ transcription because I wanted to play this piece on the organ and before I realised that there are at least five other organ transcriptions of this piece, chief amongst them Guilmant's version. In my version I have included every single note written down by J.S.Bach so I think that this piece is more technically challanging than most transcriptions of this piece.

If anyone is interested in playing this version please e-mail me a personal request for the score. I would like to see this piece played and posted on YouTube, especially on a cathedral organ ;-D

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 3 dislikes

Link to this comment:

Share to:

Uploader Comments (gngeannakakes)

  • Hi. Incredible transcription ;). Did you major in baroque music ? Im interested in a

    Copy but i dont play organ. I play bwv 1006 on guitar and would love to study this harmony to adapt some of the bass line to my guitar arrangement ;)

  • @BaroqueMusik

    Thanks. No, I majored in structural and civil engineering. However, I have a lifelong obsession with JSBach's music and I have written a couple of trio sonatas and an assortment of other Baroque pieces (see my fugues which are available on-line, e.g. my C-minor fugue) in addition to my most recent classical-style pieces (also available on-line). Please give me your e-mail address and I will send to you the PDF file.

  • I used Finale 2010 to write the notes in. In polyphonic writing when there are two or more sets of voices (or sets of chords) it is difficult to write those different streams of music as one voice, so the red notes are layer two on a specific staff. Each staff can play up to four voices in finale so one could write for up to 12 voices. Therefore, all the notes you see on the screen are played. On measure 134 there are also green notes for a third voice on the top staff line.

see all

All Comments (15)

Sign In or Sign Up now to post a comment!
  • Would LOVE to have this transcription!

  • Hi! I love this piece, and I would like one copy or PDF for sheet music for this transcripitons. How I can this ?

  • @bgcat57 Thanks for your interest and comments.As always,these transcriptions are but guides to the interpreter of the piece.I assumed that this piece would be played on a large reverb cathedral setting so I wasn't too concerned about the staccato effect of m30,m79-82.The jump@m60 is JSB's.m55-56 is a 10-note reach,LH playable, only low A playable on pedal. m133 RH is actually easier to play than it looks.Trill taken as written by JSB. Note this tran.'s a study in direct transc.

  • Lastly, the trill in the last few measures is a trill on a 1-3-5 chord as opposed to a single note which would be played alternating (fingering) 1-3-5 and 2-4.

    My orchestration teacher once pointed out that in transcription (in any direction) one must consider the aesthetic and emotional intent and not merely the notes.

  • While maintaining the accuracy of the notes the legato aspect of the line would be lost by the need to make such jumps resulting in a staccato sound. Also the arpeggiating the chords on m55-56 etc. maintains note integrity at the expense of intention of the sound. Many of these may be transferred to the pedal line.

    The extra notes in the right hand part in m133 should be in the left hand (particularly if the keyboards have different stops set.)

  • This is a very good transcription. Certainly better than some of the transcriptions available. There are a few points I would make though. In striving for accuracy of notes there are some sections where it would be very difficult or awkward to play mostly in the left hand part. (e.g. m30, the first 2 eighths in the first beat of the left hand, is an awkward jump, as on m60 and m79-82.) continued...

  • I love to have this transcript. I will like to try and tinker it into a duet or trio for violin, viola, and cello.

  • this is great! I love how the bar follows the music. It help to make the notes make he to make sense of the notes going so fast.

  • I like your transcription better than any i've played. Can I get a PDF of this?

  • This transcription is amazing! I play the organ and I'd be very interested if I could get the PDF file.

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more