Spot Metering and AE Lock

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Uploaded by on Nov 12, 2011

BY request, Spot Metering and AE Lock explained... sort of... hope I didn't make it more confusing! And remember, your spot metering MAY be linked to your AF point, so set it to the center point if you can to make life less complicated! (Music by http://www.danosongs.com and all photos by Edward Thomas - Thanks!)

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  • So in practice, if I meter on grass, will that make sure I don't burn out my skies?

    I have a hard time understanding how grass is constantly 18% grey in different light/brightness conditions.

    What if I AE-L on the brightest part of the picture like a cloud for ex? That'll make sure my sky isn't burnt out.

    It'd save time not taking preview shots.

    If I want to maximise the use of the sensor's dynamic range I should probably compensate by 2 (3?) stops to make my cloud white without burning it?

  • @infrabasse Spot meter your sky and then spot meter your grass. If you have more than 6 stops between (which is usual), something's got to give! I shoot an image for the sky and an image for the ground and blend in photoshop, but I'm mostly talking dawn/sunset/magic hour here. For high noon, you're probably OK. - Edward

  • You were Bang On!! Even before this video, I tried to expose my Computer monitor (LED) and took a shot of plane MS word document (which is white) and got a grey image. I change my meter, +1 stop the +2 and then +3... I got a white on +3 :). This was a great info to have.

    My question is how to assess what thing (or object ) produces 18% grey while shooting. I know that the grass produces 18% grey, even the sky produces close to 18% grey.

  • @DWScorp Get a "grey card" they sell them at photo stores and you can spot meter that and then whatever matches that reading in your scene is 18% grey reflective. - Edward

  • Hi Edward, clear and concise as always mate! But, could you please give us a few brief examples to which metering mode would best benefit us in the real world? I'm guessing, Evaluative metering for general L/scapes and group shots? Centre, for close-ups/macro and portraiture and Spot for tricky low contrast subjects like snow scenes/water or storm skys/clouds etc? Hope I'm thinking in the ball park anyways? Much appreciated, Darreyl.

  • @MrDazza64 Thanks! Yes, you are absolutely right. Though truth be told, I find it more expedient to shoot in evaluative 99.9% of the time and use exposure compensation. I sometimes switch to spot if I'm curious, I can't remember the last time I used center weighted... - Edward

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  • Gr8 explanation, thx!

  • The K-5 has 77, 11 columns across 7 rows.

  • Wow, thqt make so much sense! Can you do it the other way around to? Always when i shoot at night the dark parts gey, well, grey. Can i just stop down 3 steps to make the black, black?

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