Raúl Prieto Ramírez plays Bach Toccata & Adagio BWV 564

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
4,268
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Aug 12, 2010

Raul Prieto Ramirez plays Bach Toccata and Adagio BWV 564, recorded live at Victoria Hall, Hanley.

  • likes, 2 dislikes

Link to this comment:

Share to:
see all

All Comments (10)

Sign In or Sign Up now to post a comment!
  • Sublime.

  • YOU ARE A GENIUS!!!!!!!!

    U did the best version of Berceuse EVER!!!!!!!

    with sooooooooo much fealing!

    Greetings from Austria (Österreich)

  • Merveilleux et plein de musicalité. Bravo !

  • Absolutely outstanding! Your articulation has all the precision of a baroque chamber ensemble, and every voice is keen and clear. You teach by example - playing from memory makes it clear that you listen - to what the composer is saying in his score, and you listen to what the organ is telling you in the speech patterns of its stops. It really is a pleasure to hear you play!

  • I really like this solution to the end of the adagio -- playing the melody on the accompaniment manual on the "repeat", and then only slightly increasing the registration for the Grave section. I've never understood why so many other organists play the final section on a full plenum. Bravo!

  • Magnifica interpretacion. Admiro su juego de pedal. Realmente ecellente!

  • Excellent videography of your wonderful performance!

  • Sir, Your performances are getting better all the time. This is one of my favourites. I hope you post the fugue. Perhaps perform it at the Duomo another time in the future?

    Thank you for an excellent video with stellar audio to match.

  • Impresionante interpretación de concierto, sin un solo referente en el pedal (contacto con el bemol o el sostenido en izdo. o dcho.), admirable claridad. Faltaría quizás - pero esto es hilar muy fino y buscarle cinco patas al gato - una cierta sensiblidad a la hora de exponer una obra maestra como esta. Una versión quizá menos brillante, pero más "encarnada" es quizá la de Litaize en el órgano Schwenkedel de Solesmes. Enhorabuena, una maravilla de grabación y de concierto.

  • Great:-)

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more