Absolutely outstanding! Your articulation has all the precision of a baroque chamber ensemble, and every voice is keen and clear. You teach by example - playing from memory makes it clear that you listen - to what the composer is saying in his score, and you listen to what the organ is telling you in the speech patterns of its stops. It really is a pleasure to hear you play!
I really like this solution to the end of the adagio -- playing the melody on the accompaniment manual on the "repeat", and then only slightly increasing the registration for the Grave section. I've never understood why so many other organists play the final section on a full plenum. Bravo!
Sir, Your performances are getting better all the time. This is one of my favourites. I hope you post the fugue. Perhaps perform it at the Duomo another time in the future?
Thank you for an excellent video with stellar audio to match.
Impresionante interpretación de concierto, sin un solo referente en el pedal (contacto con el bemol o el sostenido en izdo. o dcho.), admirable claridad. Faltaría quizás - pero esto es hilar muy fino y buscarle cinco patas al gato - una cierta sensiblidad a la hora de exponer una obra maestra como esta. Una versión quizá menos brillante, pero más "encarnada" es quizá la de Litaize en el órgano Schwenkedel de Solesmes. Enhorabuena, una maravilla de grabación y de concierto.
Sublime.
Offshoreorganbuilder 5 months ago
YOU ARE A GENIUS!!!!!!!!
U did the best version of Berceuse EVER!!!!!!!
with sooooooooo much fealing!
Greetings from Austria (Österreich)
MegaDani141 8 months ago
Merveilleux et plein de musicalité. Bravo !
rosepiano1 1 year ago
Absolutely outstanding! Your articulation has all the precision of a baroque chamber ensemble, and every voice is keen and clear. You teach by example - playing from memory makes it clear that you listen - to what the composer is saying in his score, and you listen to what the organ is telling you in the speech patterns of its stops. It really is a pleasure to hear you play!
smoothshaver82 1 year ago
I really like this solution to the end of the adagio -- playing the melody on the accompaniment manual on the "repeat", and then only slightly increasing the registration for the Grave section. I've never understood why so many other organists play the final section on a full plenum. Bravo!
organist1982 1 year ago
Magnifica interpretacion. Admiro su juego de pedal. Realmente ecellente!
franchute63 1 year ago
Excellent videography of your wonderful performance!
dougjensen 1 year ago
Sir, Your performances are getting better all the time. This is one of my favourites. I hope you post the fugue. Perhaps perform it at the Duomo another time in the future?
Thank you for an excellent video with stellar audio to match.
organblower 1 year ago
Impresionante interpretación de concierto, sin un solo referente en el pedal (contacto con el bemol o el sostenido en izdo. o dcho.), admirable claridad. Faltaría quizás - pero esto es hilar muy fino y buscarle cinco patas al gato - una cierta sensiblidad a la hora de exponer una obra maestra como esta. Una versión quizá menos brillante, pero más "encarnada" es quizá la de Litaize en el órgano Schwenkedel de Solesmes. Enhorabuena, una maravilla de grabación y de concierto.
TheCatedral 1 year ago
Great:-)
Arjunai 1 year ago