Elegy For Mippy II, Simeon Stoyanov-trombone
Loading...
1,366
Loading...
Uploader Comments (stoya2s)
see all
All Comments (9)
-
you sound great and your color and pulse are beautiful, but i feel like im missing something. why does everyone swing the SHIT out of this song? nothing calls for swing that i can find, yet in every recording on youtube its played that way. im all down for artistic interpretation and you just so happen to be the vid im posting on, but you cant just ignore the ink or make shit up on a written piece that specifies how something is played. penny for your thoughts
-
Hello very nice it was enjoyable! Good tone good job!
-
Great sound and hand moving!
Tj
-
beautiful sound !
Loading...
thats exactly my point. tenuto and staccato only relate to the articulation. put plainly, its a long note, then a short note. theyre still just sixteenth notes. if you had a tenuto quarter note followed by a staccato quarter note, that doesnt mean to swing anything. theres so much going on in the piece he even puts little notes on the page about mippy II, and a chart of the toe tapping, I would think that "swing the sixteenth notes" isnt something thats too much to add if he really wanted it.
wiliwili321 2 weeks ago
@wiliwili321 @stoya2s Buddy: since you are so familiar with stile, articulation and all, why don't you make a recording of the piece and post it on here so we can all hear what the "correct" way of playing it is.
stoya2s 2 weeks ago
Wiliwili321, I gust wander if you are familiar with the term: "stile interpretation". Get yourself a copy of the music and pay attention to the articulation markings at the eight note passages. Tenuto followed by staccato eight clearly indicates what the composer was trying to achieve without writing the word swing on top of the score. I can keep on going, but i hope you got the point.
stoya2s 2 weeks ago