Waltraud Meier as Isolde in Bayreuth

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Uploaded by on Jan 24, 2008

http://www.wagneropera.net/RW-Performers/Waltraud-Meier.htm
Isolde: Waltraud Meier
Brangäne: Uta Priew
König Marke: Matthias Hölle
(Tristan: Siegfried Jerusalem)
Conductor: Daniel Barenboim
Richard-Wagner-Festspiele Bayreuth.
Staging: Heiner Müller

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Music

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  • likes, 7 dislikes

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Top Comments

  • Eindeutig: Waltraud Meier ist Wagners Stimme nach Nillson. inspiriert mit höchster Sangeskunst ausgestattet und ausgewogen,balanciert in tiefer Empfindung und stimmlichem Hochglanz. Bravourös!

  • Magnifica! Adoro la Meier!!

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All Comments (48)

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  • errante arrepentida y triste con el amla rota, sufriente gimiendo la redencion La dulce confrontancion de la reconciliacion, alla pasado el perdon.....

  • Waltraud är den bäste efter Kirsten. den bästa på 90-00 talet

  • Difficult note? It's a question of the singers ear! She has no problem with that, she's in perfect pitch. It's a difficult passage as in much of Wagners works ! So what? That's why one studies, yes?

  • Fuck the note you critics just try it!, it's a tough one! Shut up!

  • fuck the note!

  • @chrysothemis--It's really Herr Wagner's fault is so many wonderful singers have a little problem with that note. LOL. And it is true that people will always remember that note. LOL. Too bad for them. Mme. Meier is a legendary Isolde inspite of that note. I think even Nilsson 's final note as Isolde had an edge to it too.

  • @ploplisphilin Don't almost everyone have the same problem? The last note, that is. It's really funny - even after 4 hours hitting a good pianissimo F# shouldn't be THAT hard. Maybe it's just nerves, given that's the only note a lot of people will remember of your entire performance...

  • Very effective lighting and costume: Isolde radiant for the transfiguration. Too bad the last note is a little questionable for pitch.

  • @SuperDarchangel Darauf erwartest Du ja wohl keine Antwort!

  • @McDrBe  Yes, this production, which I have on dvd, is marvelous.

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