Bert Kaempfert - "Wonderland By Night" (1960) NY scenes

Bert Kaempfert (born Berthold Kämpfert; 16 October 1923 21 June 1980) was a German orchestra leader and songwriter. He made easy listening and jazz-oriented records, and wrote the music for a number of well-known songs, such as "Strangers in the Night" (originally recorded by Ivo Robić) and "Spanish Eyes".

He was born in Hamburg, Germany - where he received his lifelong nickname, Fips - and studied at the School of Music there. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robić. In 1961, he hired The Beatles to back Tony Sheridan on My Bonnie (Lies Over the Ocean), When the Saints Go Marching In, Ain't She Sweet and Cry for a Shadow, in a session for Polydor, the Beatles' first commercial recordings.

Kaempfert's own first hit with his orchestra had been in 1960, with Wonderland by Night. Many of his tunes became better known as hits for other artists:

He was born in Hamburg, Germany - where he received his lifelong nickname, Fips - and studied at the School of Music there. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robić. In 1961, he hired The Beatles to back Tony Sheridan on My Bonnie (Lies Over the Ocean), When the Saints Go Marching In, Ain't She Sweet and Cry for a Shadow, in a session for Polydor, the Beatles' first commercial recordings.

Kaempfert's own first hit with his orchestra had been in 1960, with Wonderland by Night. Many of his tunes became better known as hits for other artists:

Many of his hits during this period were composed and arranged with the help of fellow German Herb Rehbein, who became a successful bandleader in his own right. Rehbein's death in 1979 shook Kaempfert deeply. Both Kaempfert and Rehbein were posthumously inducted into the Songwriters Hall of Fame.

In 1967 jazz clarinetist Pete Fountain recorded the album Pete Fountain Plays Bert Kaempfert in Hamburg, Germany with musicians from Kaempferts orchestra. It featured Kaempferts signature hits.

In 1967 the Anita Kerr Singers released the LP Bert Kaempfert Turns Us On!, a tribute to Keampfert featuring the standard hits.

In 1968 jazz trumpeter Al Hirt recorded the album Al Hirt Plays Bert Kaempfert. It, too, featured Kaempferts major hits.

In 1970 Johnny Mathis issued a double-LP album set, Sings the Music of Bacharach & Kaempfert, for Columbia. It consisted of a total 21 tracks in a heavyweight gatefold picture sleeve. The Kaempfert tracks were done in his arrangement style, and the Bacharach tracks were done in the Americans unique upbeat style.

By the 1970s, sales of Kaempfert's music had dropped off somewhat, but he continued to record (his version of the Theme from Shaft was admired by Isaac Hayes himself)[citation needed] and remained popular with audiences. He expanded the musical scope of his band and recorded in a wide variety of styles. He also began to play live concerts with his orchestra, beginning in 1974, with a successful appearance at London's Royal Albert Hall. A cigarette smoker (as illustrated on the posthumous Best of CD), he died suddenly, at the age of 56, following a stroke at his home on Majorca, shortly after a successful appearance in Britain.

Kaempfert used many musicians who were available in Germany and other parts of Europe, including many of the same players who played for James Last, Kai Warner and Roberto Delgado. He featured such top soloists as trumpeters Charly Tabor, Werner Gutterer, Manfred Moch and Ack van Rooyen, trombonists Ake Persson and Jiggs Whigham, and sax/flute player Herb Geller. Drummer Rolf Ahrens supplied the characteristically simple but steady beat, often playing just a snare drum with brushes.

Another contributor to Kaempfert's music was guitarist/bassist Ladislav "Ladi" Geisler, who popularized the famous "knackbass" (crackling bass) sound, which became the most distinctive feature of many Kaempfert recordings - a treble staccato bass guitar sound in which the bass string was plucked with a pick and immediately suppressed to cancel out any sustain. It was Geisler who lent his guitar amplifier to The Beatles for their recording session with Tony Sheridan, after the band's own equipment proved to be inadequate for recording purposes.[

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[debwesty1]

Love this song reminds me of my grandparents!

[franzwa46]

Know wonder I have always loved music from the old days. Number 0ne single of January 9th, 1961, the day I was born, and it was probably on the Radio All Day.

[tgreen113813]

And on day I was born too - also jan 11 1961, Definitely showing our age, but it is lovely



[DJBiscuit]

@portimax hey, she's a my birthday, too1

[portimax]

This was the song that was the No. 1 hit the day I was born. It's like a Big Band version of a Blues song.

[CAVAglass]

This was the no 1 hit on the day I was born jan. 11, 1961. First time hearing this song, but love it and the video - especially the couple on the fire escape, and the elevated train photos.

[LkOutMtnMan]

I know of no better song to slow dance to! Great pics or NYC, when you could tell the women from the men!

[madogaso]

I can remember this song dreaming to be older (I was 8) and driving my car in in the desert under the full moon.

[cateyemarble]

I can remember dancing to this at our Junior High School dance when I was 13.

[StumptownBoy]

I don't know where you got them all, but nice pics you chose for your video. As Simon and Garfunkel said, "the world looks better in black and white."