Phish cover - Bathtub Gin

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
3,372
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Jun 18, 2008

1997 Great Went Bathtub Gin jam

Everyone check out the new blog at:
http://theartoftrey.blogspot.com/

It's hard to keep track of everything on youtube, so I started this.
Please check it out as I'd like to get something cool going for people who love Trey's style.

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:

Uploader Comments (mikeshubin)

  • How old are you brother?

  • 24.5 (i add the .5 because yesterday marked the halfway point)

  • well...what band do you play in?

  • im not in a band. i dont even live in america right now, so it would be difficult for me to get one together.

  • Great Job man!Did u go to the Went? It was my first show, and what a blast it was. I Always say that the GW had a certain feel/groove/sound/something? Listen to the Halleys Comet Jam, DWD jam,BATHTUB Gin(especially)Makisupa,SIMPLE­,Cities.....the list goes on and on.I just get this GW feeling when I listen to it on CD, the number one GW sound for me is the cool little part of the Halleys jam...when it gets real quiet and Trey/Page are playing a real nice little groove. Love it.Cheers.

  • ha, unfortunately the Went was just before my time (started listening to phish in 1998). i wouldve been 13 at the time of the GW anyway, so i probably wouldnt have made it :(

see all

All Comments (33)

Sign In or Sign Up now to post a comment!
  • @Halliday7895 who said anything about any of that? I was just pointing something out. And I do believe its important to know your modes. Is it the "be all/end all"? Of course not - but I never implied that to begin with.

  • hallow body les paul. what a fuckin' score. 

  • @shakedown04092 if you are playing with feeling and soul you don't give modes much thought. You just play what you want to say and forget about boundaries and patterns, it maybe good to just know what they are in general so you can BS talk with other musicians, but a real free feeling solo comes from here (pointing to chest) I have a feeling this kid listens to a lot of Trey / Jerome Garcia noodling & doesnt care much about the theory behind it. Theory is for people who dont get it or feel it

  • IS IT MAINLY C MIXO ?

  • you can rip man. been working on playing like this myself- still working.

  • you are correct. not to mention all diff ways to play phrase.. right now i am sticking with the 5 as they are a mouthful enough.. one challange is to be able to start mode one and go UP the neck through the next 4 (or6) and then play the modes BEHIND the first mode with the open strings. whew.. liek when you start in F and you start mode one way up the neck you can fine more BELOW it..like a circle. takes a lot of practice!!

  • yeah, I get all the modes kinda. I took music theory in college, but it never really stuck with me because all I wanted to do is jam on blues stuff. but now I'm going back to the theory and really looking at it, and all the modes.  It's very interesting trying to mix all of them together and coming up with new and different sounds.

  • There are actually 7 modes of the major scale, not 5 =

    I - Ionian (major)

    ii - Dorian (minor)

    iii - Phrygian (minor)

    IV - Lydian (major)

    V - Mixolydian (major)

    vi - Aeolian (minor)

    vii - Locrian (diminished)

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more