Amazing.... the second part reminds me of many passages of the Cantigs de Santa Maria, with those serious and firm retourné-like "come and go" movements.
Congratulations, we lack musicians of your kind here...
Ballard already is (early) baroque music. There is some more early baroque repertoire for this (Renaissance lute-) tuning, and a few high baroque lutenists use it (e.g. Zamboni 1718), but most 'real' baroque lute music is for 11- or 13-course baroque lute in d-minor tuning. Having said that, of course part of the repertoire can be arranged. See my Bach BWV999 for example, also on a lute in Renaissance tuning and perfectly playable on a 10-course lute.
Amazing.... the second part reminds me of many passages of the Cantigs de Santa Maria, with those serious and firm retourné-like "come and go" movements.
Congratulations, we lack musicians of your kind here...
Greetings from the south of Brazil.
raonipaes 10 months ago
@raonipaes
Thank you for your kind words. Btw, some of your Brazilian musicians are playing in The Netherlands and are very fine players!
David
luitluit 10 months ago
Great playing and sound.
Is the 10 course lute suitable for baroque music?
arieldickman 2 years ago
Thanks.
Ballard already is (early) baroque music. There is some more early baroque repertoire for this (Renaissance lute-) tuning, and a few high baroque lutenists use it (e.g. Zamboni 1718), but most 'real' baroque lute music is for 11- or 13-course baroque lute in d-minor tuning. Having said that, of course part of the repertoire can be arranged. See my Bach BWV999 for example, also on a lute in Renaissance tuning and perfectly playable on a 10-course lute.
David
luitluit 2 years ago