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eliane radigue - transamorem transmortem

clarakilledbenito clarakilledbenito·82 videos
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Uploaded on Nov 8, 2011

2011

composed in 1973

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Uploader Comments (clarakilledbenito)

  • khantarya

    Congratulations,my dear friend, for these very happy iniciative! Posting one of the

    Radigue´s work --- without cuts,moreover! --- it`s a very likely job! You deserve all

    my greetings,sincerelly! Here,in Brazil,we support,yours efforts to divulgated,such

    wonders,like this treasure of the best french electronic music! So,please! Accept

    my thankings! And my fully admiration! Bravo!

    · 14

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  • clarakilledbenito

    obrigado-

    · 4

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    in reply to khantarya (Show the comment)

Top Comments

  • a bird

    Do you enjoy abstract art? Anyone can paint two blue squares, or attack a canvas with a brush, but... they didn't. If you can do this, why don't you? Perhaps the only meaning here is in the creation, and us listeners are fooling ourselves.

    Perhaps you could look beyond the obvious. Why this noise? Is it really just noise? Why that tiny 'pip' every few seconds? Is it so bad to find your own meaning? Should an artist be forced to hold the audience's hand?

    I'd be less vague, but no char remain. :/

    · 14

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    in reply to KazeReload (Show the comment)

All Comments (39)

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  • Max16032

    This is supposedly a sonic recreation of what John Cage was hearing inside the anechoic chamber at Harvard University in 1951. If that is correct, this means Elaine has just reproduced the "sound" of silence. This truly leaves you wondering: What is "silence"?

    ·

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  • phobophob

    it is a state.

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  • TheScreamingBox

    "Should an artist be forced to hold the audience's hand?"

    Genius.

    ·

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  • Daniel Hintz

    i really wish that uploaders would just disable comments for any music/sound uploads.

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  • Max Shea

    It helps not to approach listening to Radique as "music" but as meditative resonances for spiritual journeys.

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  • moogyboy6

    To be fair, I do think the piece is a little static for my taste. Interesting experiment, though.

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  • moogyboy6

    There's a fine line between messing around at random on an analog synth and messing around with a definite purpose. Keep in mind that she was using an ARP 2500 modular synth--no presets, takes an hour to set up and tweak a sound, etc; you can be sure that whatever she put down on tape is there for a reason.

    · 2

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    in reply to KazeReload (Show the comment)
  • moogyboy6

    Another thing to consider is that Radigue's music, from what I've read, is connected with her Buddhist faith and meditation, so the long-and-slow approach, besides being very avant garde for the time, makes sense in that context too.

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  • karol simon

    MAGNIFICO GRAZIE .

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  • thermalmaximum

    But people weren't doing that in 1973. In 1973 most people had never heard a synth before.Think of the context. If you don't think this music is worth listening to 40 years later, listen to something else.

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    in reply to KazeReload (Show the comment)
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